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Project / Collection Egerton Manuscripts Subject Harmony Material Type Archives and Manuscripts

1. Egerton MS 1312

Reference (shelfmark):
Egerton MS 1312
Title:
ALBUM of Johann Veit Stoll, containing autograph inscriptions, dated at Altorf, in the years 1643-1651. In the original covers. [Bibl. Eg. 1,312.]
Scope & Content:
Includes: ff. 12b, 17. Canons, sc; 1644, 1648. (1) ‘Ubi deficit auxilium humanum‘ (2 voices in hypodiapason), by Joh. Andreas Herbst, Director of Music at Nuremberg, 1644. f. 12b; — (2) ‘Jesus, sola hæreditas‘ (3 voices — ‘alter in subdiapason ‘), by Joh. Sigismundus Hager, organist, of Nurembe...
Collection Area:
Western Manuscripts
Languages:
Latin
Date Range:
1643-1651
Extent:
1 volume

2. Egerton MS 2451

Reference (shelfmark):
Egerton MS 2451
Title:
A collection of motets, a madrigal, a requiem, and a capriccio
Scope & Content:
ff. 1-92, passim. Motets for several voices, with a figured bass for organ (unless the contrary is stated), in score; 19th cent. Apparently transcribed by Abbate F. Santini for Rev. E. Goddard, to whom the whole volume afterwards belonged. 1. ‘Benedictus‘ (for two choirs of 4 voices each). ‘Ales...
Collection Area:
Music Collections
Languages:
Latin
Date Range:
18th century-19th century
Extent:
1 volume

3. Egerton MS 2465

Reference (shelfmark):
Egerton MS 2465
Title:
A collection of harmonised melodies, and settings of the 'Te Deum', in the hand of Abbate Fortunato Santini
Scope & Content:
ff. 1-15. 'Octo melodæ octo modorum harmoniæ factæ, ut modulabantur sæculo vii ad præscriptum Adami de Fulda et Franchini Gaforij'; in the hand of Abbé Fortunato Santini, by whom they appear to have been collected, and in part harmonized, for his friend the Rev. Edward Goddard. They are set to t...
Collection Area:
Music Collections
Languages:
Latin
Date Range:
after 1840
Extent:
1 volume (27 folios)

4. Egerton MS 2468

Reference (shelfmark):
Egerton MS 2468
Title:
A collection of motets, fragments of masses, examples of harmony, a song and a miserere
Scope & Content:
ff. 3-46b, passim. Motets, etc., in score. Unless the contrary is stated, they are for 4 voices without accompaniment; 18th cent. 1, 2. Two settings (à 8 and 5, with figured basses) of ‘Beatus vir qui timet Dominum‘; each of them followed by a ‘Gloria Patri.’ Anonymous, ff. 3, 11. Nos. 3-6 (in a...
Collection Area:
Music Collections
Languages:
Latin
Date Range:
18th century
Extent:
1 volume (64 folios)