Richard Wagner: ‘Der fliegende Holländer’ (WWV 63). Copyists’ full score of Overture, with autograph corrections and annotations; 1853, 1860
Scope & Content:
Overture; 1853, 1860. Full score. Written in ink on systems of 16 and 18 staves. In the hand of Adam Bauer, on 16 staves (ff. 1-27) and Carl Mehner, on 18 staves (ff. 28-34). The first section (ff. 1-27) extensively annotated and corrected throughout in red ink by Wagner, with his instructions t...
Richard Wagner: ‘Der fliegende Holländer’ (WWV 63), opera in three acts (libretto, the composer), 1840-1841: copyists’ full score of Overture with autograph annotations, revised ending to Overture and to Act III in autograph full score; 1853, 1860
Richard Wagner: ‘Der fliegende Holländer’ (WWV 63). Revised ending to Overture
Scope & Content:
Autograph full score. Written in ink on systems of 18 and 19 (f. 4r and v) staves. Headed ‘Zum fliegender Holländer Schluss der Ouvertüre (pag: 42 der autographirten Partitur nach der _ [underlined pause sign])’, with further references to pp. 42 and 43 of the original full score at top left and...
Richard Wagner: ‘Der fliegende Holländer’ (WWV 63). Revised ending to Act III
Scope & Content:
Autograph full score. Written in ink on systems of 18 (f. 1r) and 20 staves (f. 1v). Headed ‘Schluss des dritten Actes’, and with extensive instructions for the copyist relating this score to the autograph full score and to Zweig MS 116. At the end (f. 1v) are detailed stage directions for the n...
Richard Wagner: ‘Die Feen’ (WWV 32), opera in three acts (libretto, the composer after Carlo Goldoni), 1833-4: draft of dialogue
Scope & Content:
Autograph. Written in brown ink, with corrections and additions also in autograph. Headed ‘Feen: Dialoge’ (f. 1r). The scenes are Act I, sc. 2 and 4 (ff. 1-3v), Act II, sc. 3 (ff. 3v-4v), and Act III, sc. 5, incomplete (f. 4v). Lacking Act III, sc. 3 of those scenes with dialogue. The leaves are...
Richard Wagner: ‘Das Liebesverbot’. Draft libretto
Scope & Content:
Written in brown ink, with corrections and additions (ff. 1r, 2v, 3r, 6v, 8v, 9r) in red ink. Incomplete, lacking Act I, scene i, and the end of the last scene of Act II. Portions of a number of leaves are torn or cut away. Of these, the following affect the text: lower fore-edge ff. 1, 2, and l...
Richard Wagner: ‘Das Liebesverbot’ (WWV 38), comic opera in two acts (libretto, the composer after Shakespeare’s Measure for Measure), 1834-40: draft libretto, and French translation, with draft of a letter to Giacomo Meyerbeer
Richard Wagner: ‘Das Liebesverbot’. French translation, with draft of a letter to Giacomo Meyerbeer
Scope & Content:
Translation of libretto as ‘La défense d’amour / ou / La novice de Palerme’. With draft of letter to Giacomo Meyerbeer; [1839, 1840]. Autograph. As follows: ff. 1-30r. Libretto; [1839]. French. Title and list of dramatis personae on f. 1; text (ff. 1v-30r) has marginal diagrams relating to met...
Richard Wagner: Notes and drafts, comprising translation into French of prose sketch for the opera ‘Die hohe Braut’, translations into French of text of three numbers from the opera ‘Der fliegende Holländer’, and notes on the ‘cornet à 3 pistons’
Scope & Content:
Autograph. As follows: ff. 1r, 3r and v. ‘Die hohe Braut’ (WWV 40), opera in 5 acts (libretto Wagner after Heinrich Koenig), [1835-1842]: translation of prose sketch; 1840. French. Written in brown ink, with autograph corrections and additions. ff. 2r, 1v. ‘Der fliegende Holländer’ (WWV 63),...
Richard Wagner: ‘Rienzi’ (WWV 49), grand opera in 5 acts (libretto, the composer after Edward Bulwer-Lytton), 1837-1840: instructions for staging for the Dresden performances
Scope & Content:
Autograph. Written in brown ink on both sides of a single leaf, with autograph deletions and additions. Arranged under headings of acts and vocal numbers. Numbered in pencil 160 at the head and 327 at the foot of the recto. The memorandum in this manuscript is principally concerned with ways o...
