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Archive Reference (shelfmark) Mss Eur F191 Material Type Photographs

1371. Mss Eur F191/332(1369)

Reference (shelfmark):
Mss Eur F191/332(1369)
Title:
From Erode: I think we arrived in Mercara on April 25th. In Mercara itself I did not record music, but we saw a marriage ceremony. I did work in two places, Napoklu in N. Coorg and Ponampet in S. Coorg. Gangapuja, the bride brings water to her husband's house. The disks on her hair are golden. I filmed the whole ceremony. Dancing relatives obstruct her way to the house and even the bridegroom joined them. Photographer: Bake, Arnold Adriaan
Scope & Content:
Genre: Portrait Photography View of Gangapuja after marriage, the bride brings water to her husband's house. The disks on her hair are golden. Dancing relatives obstruct her way to the house and even the bridegroom joined them.
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
Jun 1938
Extent:
1 item

1372. Mss Eur F191/332(1370)

Reference (shelfmark):
Mss Eur F191/332(1370)
Title:
From Erode: I think we arrived in Mercara on April 25th. In Mercara itself I did not record music, but we saw a marriage ceremony. I did work in two places, Napoklu in N. Coorg and Ponampet in S. Coorg. The procession nearing the front of the house. Photographer: Bake, Arnold Adriaan
Scope & Content:
Genre: Portrait Photography View of the marriage procession nearing the front of the house.
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
Jun 1938
Extent:
1 item

1373. Mss Eur F191/332(1371)

Reference (shelfmark):
Mss Eur F191/332(1371)
Title:
From Erode: I think we arrived in Mercara on April 25th. In Mercara itself I did not record music, but we saw a marriage ceremony. I did work in two places, Napoklu in N. Coorg and Ponampet in S. Coorg. The procession nearing the front of the house. Photographer: Bake, Arnold Adriaan
Scope & Content:
Genre: Portrait Photography View of the marriage procession nearing the front of the house.
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
Jun 1938
Extent:
1 item

1374. Mss Eur F191/332(1372)

Reference (shelfmark):
Mss Eur F191/332(1372)
Title:
From Erode: South Kanara. Just over the frontier of Coorg, Sullia is in the foothills of the Western ghats. The region is notorious for malaria; the Collector would not allow the Bakes to stay overnight in the Travellers Bungalow. In that notorious T. B. it was very quiet and Bake made several records there. Most people who came were Pariyahs, who had harvest- and agricultural songs. A Pariyah man and children. Photographer: Bake, Arnold Adriaan
Scope & Content:
Genre: Portrait Photography Group portrait of a Pariyah man and children.
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
Jun 1938
Extent:
1 item

1375. Mss Eur F191/332(1373)

Reference (shelfmark):
Mss Eur F191/332(1373)
Title:
From Erode: South Kanara. Just over the frontier of Coorg, Sullia is in the foothills of the Western ghats. The region is notorious for malaria; the Collector would not allow the Bakes to stay overnight in the Travellers Bungalow. In that notorious T. B. it was very quiet and Bake made several records there. Most people who came were Pariyahs, who had harvest- and agricultural songs. The same miserable looking crowd with some additions. Photographer: Bake, Arnold Adriaan
Scope & Content:
Genre: Portrait Photography Portrait of the same miserable looking crowd [Pariyahs] with some more members.
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
Jun 1938
Extent:
1 item

1376. Mss Eur F191/332(1374)

Reference (shelfmark):
Mss Eur F191/332(1374)
Title:
From Erode: South Kanara. Just over the frontier of Coorg, Sullia is in the foothills of the Western ghats. The region is notorious for malaria; the Collector would not allow the Bakes to stay overnight in the Travellers Bungalow. In that notorious T. B. it was very quiet and Bake made several records there. Most people who came were Pariyahs, who had harvest- and agricultural songs. Sqq. in Puttur, 20 miles further to the coast, where there is almost no malaria. Our guide Karanth, a brahmi...
Scope & Content:
Genre: Portrait Photography Group portrait of the Bakes' guide Karanth with his wife and baby. He was a brahmin who married out of caste and was therefore ostracized. She was charming and highly educated.
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
Jun 1938
Extent:
1 item

1377. Mss Eur F191/332(1375)

Reference (shelfmark):
Mss Eur F191/332(1375)
Title:
From Erode: South Kanara. Just over the frontier of Coorg, Sullia is in the foothills of the Western ghats. The region is notorious for malaria; the Collector would not allow the Bakes to stay overnight in the Travellers Bungalow. In that notorious T. B. it was very quiet and Bake made several records there. Most people who came were Pariyahs, who had harvest- and agricultural songs. A deer kept in the compound of Karanth's school. Photographer: Bake, Arnold Adriaan
Scope & Content:
Genre: Portrait Photography Portrait of a deer kept in the compound of Karnath's school.
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
Jun 1938
Extent:
1 item

1378. Mss Eur F191/332(1376)

Reference (shelfmark):
Mss Eur F191/332(1376)
Title:
From Erode: South Kanara. Just over the frontier of Coorg, Sullia is in the foothills of the Western ghats. The region is notorious for malaria; the Collector would not allow the Bakes to stay overnight in the Travellers Bungalow. In that notorious T. B. it was very quiet and Bake made several records there. Most people who came were Pariyahs, who had harvest- and agricultural songs. The devil dancers who sang for Bake in Karanth's school. They were not dressed up but only sang songs in hon...
Scope & Content:
Genre: Portrait Photography Group portrait of the devil dancers who sang for bake in Karanth's school. They were not dressed up but only sang songs in honour of the special bhutas.
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
Jun 1938
Extent:
1 item

1379. Mss Eur F191/332(1377)

Reference (shelfmark):
Mss Eur F191/332(1377)
Title:
From Erode: South Kanara. Just over the frontier of Coorg, Sullia is in the foothills of the Western ghats. The region is notorious for malaria; the Collector would not allow the Bakes to stay overnight in the Travellers Bungalow. In that notorious T. B. it was very quiet and Bake made several records there. Most people who came were Pariyahs, who had harvest- and agricultural songs. Yakshagana. What Kathakali is for Malabar is Yakshagana for South Kanara. The subjects are the same: Mahabha...
Scope & Content:
Genre: Portrait Photography Portrait of the yogi, whose part in Yakshagana usually is more or less comic. The other figure is a singularly undignified representation of Krishna. What Kathakali is for Malabar is Yakshagana for South Kanara [Karnataka]. The subjects are the same: Mahabharata, Ram...
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
Jun 1938
Extent:
1 item

1380. Mss Eur F191/332(1378)

Reference (shelfmark):
Mss Eur F191/332(1378)
Title:
From Erode: South Kanara. Just over the frontier of Coorg, Sullia is in the foothills of the Western ghats. The region is notorious for malaria; the Collector would not allow the Bakes to stay overnight in the Travellers Bungalow. In that notorious T. B. it was very quiet and Bake made several records there. Most people who came were Pariyahs, who had harvest- and agricultural songs. Hanuman, who is similar to the Malabar Hanuman. Photographer: Bake, Arnold Adriaan
Scope & Content:
Genre: Portrait Photography Portrait of the Hanuman of Yakshagana, who is similar to the Malabar Hanuman.
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
Jun 1938
Extent:
1 item