TWELVE sonatas for three strings, in score, by G. B. Buononcini. Paper; ff. 41. xviiith cent. Folio. Giovanni Bononcini, composer: Musical compositions: 18th cent.
Two cantatas, and end-chorus of the Opera "Sanzio", by Antonio Caldara.
Scope & Content:
ff. 1-3b. 'Senti, deh, senti, oh Clori': Cantata for a soprano voice, with a bass for harpsichord, in score, by Antonio Caldara. Autograph. At the end is written '20 Maggio, 1715, in Roma; et è una grande ragazzata.' [1715.] ff. 4-10. 'Amor del gran Sancio': concluding chorus (à 4), with accom...
" MAGNIFICAT " for two choirs, in organ-score, by A. Caldara; followed, at f. 58, by twelve sonatas for four strings, also in score, and attributed to the same composer. Paper ; ff. 100. xviiith cent. Oblong Folio. Antonio Caldara, composer: Cantatas. etc.: 18th cent.: (autogr.).
" ORMISDA ": an opera in three acts, in score. The overture is arranged for harpsichord. A note, on f. 1, by Victor Schoeleher, refers the authorship of the work to Francesco Conti, on the ground of an identical copy, in the handwriting of Christopher Smith (Handel's secretary), being definitely...
1. SONATA, for harpsichord in C minor, by Domenico Scarlatti. f. 1. 2. Duets, by the same. f. 4. Paper; ff. 46. xviiith cent. Oblong Folio. Giuseppe Domenico Scarlatti, composer: Secular music: 18th cent.
FORTY-FOUR sonatas for the clavichord,by Domenico Scarlatti. Paper; ff. 87. Formerly belonged to Dr. Worgan and Charles Wesley. xviiith cent. Oblong Folio. Giuseppe Domenico Scarlatti, composer: Secular music: 18th cent.