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Project / Collection Music Miscellaneous Digitised Content No

101. h.2789.e.

Reference (shelfmark):
h.2789.e.
Title:
Ferdinand Ries: 3me Sinfonia, for strings, flute, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, trombone and timpani, in E flat major, op. 90; [between circa 1816-1825]. Full score in ink, copy, with 24 printed parts. The symphony was composed around 1816 and the parts were published circa 1825 (Bonn and Cologne: Simrock). Composed for the Philharmonic Society, and first performed at the Philharmonic Concerts in London, 25 Mar. 1816. In the same hand as a symphony by Krommer placed at h.2799...
Scope & Content:
Ferdinand Ries, composer and pianist: Symphonies 1-3: betw. 1809 and 1825: Copies. Bookplates and Book-stamps: Maatschappij voor Toonkunst Orkestafdeeling: Musis Sacrum: Book-stamps , of Maatschappij voor Toonkunst Orkestafdeeling and Musis Sacrum: 1807.
Collection Area:
Music Collections
Languages:
English
Date Range:
[c 1816-1825]
Extent:
1 item

102. h.2799.h.

Reference (shelfmark):
h.2799.h.
Title:
FRANZ KROMMER: Grande Sinfonie pour 2 violons, flûte, 2 haut-bois, 2 clarinettes, 2 bassons, 2 cors, 2 trompettes, timbales, alto & basse, in D major, op.62; [1807?]. Full score in a copyist’s hand, with 17 printed parts (Offenbach s/M: chez Jean André, [1807?]). Both score and parts bear the stamps of ‘Musis Sacrum’ (cancelled) and Maatschappij voor Toonkunst Orkestafdeeling. Purchased, Dec. 1960. ff. i+46. 230 x 335mm. Leather spine with marbled boards.
Scope & Content:
Bookplates and Book-stamps: Maatschappij voor Toonkunst Orkestafdeeling: Musis Sacrum: Book-stamps , of Maatschappij voor Toonkunst Orkestafdeeling and Musis Sacrum: 1807. Franz Krommer, composer: Grande sinfonie, op.62: circa 1807: Copy.
Collection Area:
Music Collections
Languages:
English
Date Range:
[1807?]
Extent:
1 item

103. H.2815.g.(31.)

Reference (shelfmark):
H.2815.g.(31.)
Title:
PIANOFORTE ARRANGEMENTS (anonymous) of the following airs; circa 1828. "The Cobler’s Whistle," "Rodolph Victorious," the Finale to Weber’s "Der Freischütz," "Weber’s [Last] Waltz," "The Rangers" [from Der Freischütz"], "[Joseph] Hart’s 7th Set [of Quadrilles]," and "Jenny’s Bawbie" (with variations). Paper; ff. 7. 300 x 235mm.
Scope & Content:
Baron Carl Maria Friedrich Ernst von Weber,; composer: Music: Arrangements for piano partly arranged from works by and attributed to Baron Carl Maria Friedrich Ernst von Weber: circa 1828: Copies.
Collection Area:
Music Collections
Languages:
English
Date Range:
c 1828
Extent:
1 item

104. h.2851.i.(1.)

Reference (shelfmark):
h.2851.i.(1.)
Title:
INTERCHANGEABLE MUSIC: a performing version by William Green of the tables for creating minuets and trios attributed to Haydn; circa 1820. Bound with and annotated copy of Gioco filarmonico: o sia maniera facile per comporre un infinito numero di minuetti e trio anche senza sapere il contrapunto ... del Sign. Giuseppe Haidn (Napoli: Appresso Luigi Marescalchi, [circa 1790]), in which the bars of music are presented in a nonsensical order from which performance is possible only by using the t...
Scope & Content:
Franz Joseph Haydn, composer: William Green, musician: Performing version, with explanatory notes, of the 'Gioco Filarmonico' attributed to Franz Joseph Haydn , in the hand of William Green: circa 1820: Autogr.
Collection Area:
Music Collections
Languages:
English
Date Range:
c 1820
Extent:
1 item

105. h.3495.d.

Reference (shelfmark):
h.3495.d.
Title:
MIKHAIL IVANOVICH GLINKA: ‘Gran Sestetto Originale’, for two violins, viola, ’cello, double bass and piano; [circa 1833]. Score. Copy, in ink. With a set of printed parts for the same work (Milan: Presso Gio. Ricordi, [1833]). Purchased, Feb. 1976. ff. 64. 366 x 255mm.
Scope & Content:
Mikhail Ivanovich Glinka, composer: 'Gran Sestetto' for piano and strings: circa 1833: Copy.
Collection Area:
Music Collections
Languages:
English
Date Range:
[c 1833]
Extent:
1 item

106. h.3866.a.

Reference (shelfmark):
h.3866.a.
Title:
Letter
Scope & Content:
Letter to Dr Josef Palnauer from Viktor Ullmann c 1930
Collection Area:
Music Collections
Languages:
English
Date Range:
c 1930
Extent:
1 item

107. h.3979.b.

Reference (shelfmark):
h.3979.b.
Title:
GABRIEL PIERNÉ: ‘Quintette en trois parties’; 1919. The opening bars of the ‘Quintette en trois parties pour piano, 2 violons, alto et violoncelle’, op.41, written in the composer’s autograph on the verso of the title page of the published score (Paris: J. Hamelle, ©1919), beneath a dedication to the performers at the work’s première (Gaston Poulet, Victor Gentil, S. Jarecki and Louis Ruyssen), dated 22 Feb. 1919. The score and first violin part are both heavily annotated. Purchased, June 19...
Scope & Content:
includes: verso of title page Henry Constant Gabriel Pierné, composer and conductor: Gaston Poulet, conductor and violinist: S. Jarecki, musician: Louis Ruyssen, musician: Victor Gentil, musician: Dedication, with musical quotation, of the 'Quintette en trois parties' by Henry Constant Gabrie...
Collection Area:
Music Collections
Languages:
French
Date Range:
1919
Extent:
1 item

108. i.295.

Reference (shelfmark):
i.295.
Title:
‘PETER WARLOCK’: Serenade for strings; 1925. Arrangement for piano solo by Sir John Barbirolli. Autograph of Barbirolli, in ink. Bound with the first proofs of the printed score and parts for the same work, marked with corrections and a dedication to Frederick Delius, all in the composer’s hand. The proofs of the parts are also marked up with performance markings and further alterations in Barbirolli’s hand. Published Oxford University Press, 1925. Purchased from Lisa Cox, 19 Nov. 1991. ff....
Scope & Content:
Sir John Battista Barbirolli, conductor: Philip Arnold Heseltine, alias 'Peter Warlock'; composer: 'Serenade for strings' by Philip Arnold Heseltine, arranged for piano by, and in the hand of Sir John Battista Barbirolli: 1925 or later.
Collection Area:
Music Collections
Languages:
English
Date Range:
1925
Extent:
1 item

109. i.308.a.

Reference (shelfmark):
i.308.a.
Title:
SIR WILLIAM WALTON: Correction to the overture ‘Portsmouth Point’; 1958. Autograph, written in ink on a strip of paper now bound with a copy of the printed score (Oxford University Press, 1928) extensively annotated in pencil by Norman Del Mar. The correction consists of a chord added to the brass parts in the fifth bar after figure 26. With a letter from Christopher Morris of Oxford University Press to Del Mar (f. i). Purchased from Nigel Simeone, 16 May 1994. ff. i+1 + pp. 40. 347 x 254mm.
Scope & Content:
Norman Del Mar, conductor: Sir William Turner Walton, OM; composer: Correction to a printed score of the overture 'Portsmouth Point' by Sir William Turner Walton, annotated by Norman Del Mar: 1958: Autogr. includes: f. i Christopher Morris, music publisher, of Oxford University Press: Norman...
Collection Area:
Music Collections
Languages:
English
Date Range:
1958
Extent:
1 item

110. I.475.o.

Reference (shelfmark):
I.475.o.
Title:
RALPH VAUGHAN WILLIAMS: conductor’s annotations to Bach’s cantatas; circa 1925. The annotations are made in pencil on five volumes of the Bach-Gesellschaft edition (Leipzig: Breitkopf & Härtel, [1853-1881]), and apply to cantatas nos. 6, 11, 34, 80, 134 and 140. The orchestration of the cantata no.34 (‘O ewiges Feuer’) is expanded to include horns, timpani, clarinets, flutes, bassoons and timpani, and the upper part of each page is covered by a revised score in a copyist’s hand. Vaughan ...
Scope & Content:
Bookplates and Book-stamps: Bookplate of Sir M. Costa: 19th cent.: Printed. Ralph Vaughan Williams, OM; composer: Johann Sebastian Bach, composer: Annotations by Ralph Vaughan Williams, to printed scores of cantatas by Johann Sebastian Bach: 20th cent.: Mainly autogr.
Collection Area:
Music Collections
Languages:
English
Date Range:
c 1925
Extent:
1 item