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Subject Part-songs

11. Add MS 32181-32182

Reference (shelfmark):
Add MS 32181-32182
Title:
A collection of vocal and instrumental compositions of Franz Xavier Süssmayer, and part of a requiem by Wolfgang Amadeus Mozart
Scope & Content:
Autograph.
Collection Area:
Music Collections
Languages:
French, German, and Italian
Date Range:
18th century-19th century
Extent:
2 volumes

12. Add MS 32183

Reference (shelfmark):
Add MS 32183
Title:
A collection of numbers from operas, songs, a cantata, a part-song, and a mass
Scope & Content:
ff. 1-48. 'Perlen glänzen auf der Flur': Cantata for solo voices and 3-part chorus, with symphonies and accompaniments for flutes, oboes, clarinets, bassoons, horns, and strings, in score, by [Joseph] Tribensee; 18th-19th cent. Autograph. ff. 49, 66, 89. Numbers from Operas, with symphonies an...
Collection Area:
Music Collections
Languages:
German, Italian, and Latin
Date Range:
18th century-19th century
Extent:
1 volume (167 folios)

13. Add MS 32429

Reference (shelfmark):
Add MS 32429
Title:
Motets and other choral pieces, chiefly sacred
Scope & Content:
Passim. ‘Miserere mei, Deus’: four settings by anonymous composers, in parts. Imperfect, consisting of bass part only, except in no. 1, for which the soprano and 2nd tenor parts are given as well; and no. 3, which consists of 6 contralto and 2 tenor parts. Nos. 1, 3 and 4 end with the ‘Gloria Pa...
Collection Area:
Music Collections
Languages:
Italian and Latin
Date Range:
18th century-19th century
Extent:

1 volume (113 folios)

14. Add MS 32677

Reference (shelfmark):
Add MS 32677
Title:
Two parts of an anonymous French 18th century vocal composition. - Violin sonata by Felice Giardini (op. 16). - Overture to Solomon by William Boyce, arranged for pianoforte. - Treatise on the organ by August Wilhelm Bach, 1826. - Music on a bell at Great St Mary's, Oxford, in four parts, 1612.
Scope & Content:
ff. 1-3. A Sacred composition with Latin words, consisting of a prelude and at least 7 vocal numbers, of which the first begins with the words ‘Parce mihi, Domine,’ the fifth is a duet, and the last a trio. The accompaniments are apparently for strings. 18th century. The composer's name is not g...
Collection Area:
Music Collections
Languages:
English and Latin
Date Range:
18th century-19th century
Extent:

1 volume (64 folios)

15. Add MS 33234

Reference (shelfmark):
Add MS 33234
Title:
Collection of Secular and Sacred compositions, by various authors in the late 17th century.
Scope & Content:
Passim. Motets, most of them with a figured bass, in score. 1. ‘Alleluja! jubilat ecclesia’ (à 3). ‘Cassati.’ f. 41. 2. ‘Anima mea liquefacta est’ (à 3). 'Maria Marini.’ f. 44. 3. ‘Anima mea in æterna dulcedine‘ (à 2). ‘Charissimi.’ f. 70. 4. ‘Plagæ tuæ, Domine’ (à 3). ‘Felice Sances.’ f. 85. 5....
Collection Area:
Music Collections
Languages:
English, Italian, and Latin
Date Range:
1680-1682
Extent:
1 volume (172 folios)

16. Add MS 33351

Reference (shelfmark):
Add MS 33351
Title:
A collection of songs, duets, and trios by Dr. Thomas Augustine Arne, Corbet [? William Corbett], Dr. Samuel Howard, John Stanley, Daniel Purcell, Michael Wise, John Eccles, Richard Leveridge, - Monro, J- Barker, Henry Carey, and several other anonymous composers. Interspersed are also several songs without music, including versions of 'God save the King', beginning with the words 'Fame let thy Trumpet sound' (f. 30), and of 'Rule Britannia' (f. 29-b) ; also some verses spoken on the death o...
Scope & Content:
ff. 1b, 5b, 6. Three numbers from Dr. William Boyce's 'Solomon'; without accompaniment.1. Recit. and air, 'How lovely art thou.' f. lb. 2. Air, 'On his Face the vernal Rose.' f. 5b. 3. Recit. and air, 'Who quits the Lilly's fleecy white.' f. 6. ff. 2b-63b passim. Collection of Songs, etc., app...
Collection Area:
Music Collections
Languages:
English
Date Range:
18th century
Extent:

1 volume (68 folios)

17. Add MS 33933

Reference (shelfmark):
Add MS 33933
Title:
The Wode Psalter or St Andrews Psalter: contra-tenor part-book containing musical settings of metrical psalms from the 1564 Scottish Psalm Book and other music
Scope & Content:
Most of the music was collected and copied by Thomas Wode (or Wood). Wode was a former monk who worked at St Andrews after the Reformation in Scotland, eventually becoming vicar there. At the core of the collection are harmonisations of the psalms by Scottish composer David Peebles. Over a perio...
Collection Area:
Music Collections
Languages:
English, French, and Italian
Date Range:
c 1564-c 1625
Extent:
1 volume (94 folios)

18. Add MS 35005

Reference (shelfmark):
Add MS 35005
Title:
A collection of glees, songs, portions of odes, duets, part-songs, and other compositions by Samuel Wesley
Scope & Content:
ff. 1-21b. Portions of three Odes; about 1823 (watermark). The watermark of No.1 is 1794. 1. Parts for violoncello, 2nd oboe, and 2 trumpets, of the Ode on St. Cecilia's day (see Add MS 35004), by Samuel Wesley. Autograph. f. 1. 2. Fragments of the vocal score, with pianoforte accompaniment, of ...
Collection Area:
Music Collections
Languages:
English, French, Greek, Modern, Italian, and Latin
Date Range:
Late 18th century-Early 19th century
Extent:
1 volume (193 folios)

19. Add MS 35026

Reference (shelfmark):
Add MS 35026
Title:
Musical autograph album of Eliza Wesley, containing short pieces, inscriptions and signatures of numerous composers, musicians, singers and others
Scope & Content:
passim. Album begun by Eliza Wesley in 1836, containing the autographs of the principal composers, vocalists, and instrumentalists, and a few others, then in London; 1836-1895. Besides the compositions described below, there are also signatures, and in a few cases transcripts of fragments of mus...
Collection Area:
Music Collections
Languages:
English
Date Range:
19th century
Extent:
1 volume (73 folios)

20. Add MS 36484

Reference (shelfmark):
Add MS 36484
Title:
A collection of bass parts for various compositions
Scope & Content:
passim. Vocal compositions, apparently in the hand of David Melvill alias Melvine, whose name is written in a contemporary hand at the bottom of every page. Unless the contrary is stated, they are for 4 voices. Bass part. The composers' names are not given. {See the Melvill Book of Roundels, Rox...
Collection Area:
Music Collections
Languages:
English, French, Italian, and Latin
Date Range:
after 1604
Extent:
1 volume (71 folios)