Unfinished play. Comprises two parts: A: Loose leaves with autograph notes for the first five scenes and the beginning of Act I Scene 1. Undated [although one leaf is inscribed 'A LINE' which suggests that this may be contemporaneous with Peake's idea for television 'Just a Line', circa 1955 -...
Autograph manuscript in exercise book (originally inscribed with Peake's daughter's name ‘Clare Peake’) with notes and revised draft of unfinished television play. Also includes epilogue [for his play ‘Noah's Ark’ - see Add MS 88931/3/10 for typescript of the rest of this play]. Includes sketche...
Unfinished play for television or film. Comprises two autograph notebooks: A: ‘The Four Old Men’, entitled ‘The Widowers’ inside the volume. Heavily revised. Includes small detailed drawings of characters and other figures. There are screen directions [in Maeve Gilmore’s hand]. Undated. B: ‘The ...
Typescript for a finished play, with minor corrections in Mervyn Peake’s hand. Wallington address crossed out and replaced with Drayton Gardens. Undated [but Maeve Gilmore's introductory note in Peake's Progress states 'This play was written for children circa 1960' - see Mervyn Peake, Peake's P...
Three autograph working notebooks: A: 'Gormenghast'. Opening scenes of the play corresponding with beginning of the novel Titus Groan. Includes designs for the Countess's bedroom and a drawing of Rottcodd in his hammock. Also contains a leaf of tracing paper with symbols drawn in pencil, entitle...
Loose leaves. Undated. Includes: prologue (two versions); Act I Scene 1 between Flay and Rottcodd; Act I Scene 2 between Swelter, Steerpike and Flay; notes for Scene 1. Drawings in ink and pencil: lectern and book; window shattering; Swelter raising glass with kitchen staff gathered around an...
Comprises two parts: A: Foolscap leaves corresponding to the opening scenes of Titus Groan, with minor revisions only. Undated. B: Autograph notebook. Some leaves pasted in. First half of the manuscript is crossed through; second half inscribed 'please continue here from the foolscap (page 14)'....