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Archive Reference (shelfmark) Add Or 3013-3043

11. Add Or 3022

Reference (shelfmark):
Add Or 3022
Title:
Samyé and ceremonies there
Scope & Content:
‘No.3’ ‘1. Represents all the Deotas of the 6 different classes of Lamas’ ‘1. Remati, a Devi’ ‘2. Mahakala’ ‘3. Chusin dongchun’ [Chu-srin-gdon-can]’ the face of an alligator’ ‘4. Shonglun’ [Zan-blon]. ‘5. Gonpocharok’ [mgon-po-bya-rog] ‘6. Chumsing’ [lcamsrin]. ‘7. Tahdring’ [ta-hgrin] ...
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
1844-1862
Extent:
1 Item

12. Add Or 3023

Reference (shelfmark):
Add Or 3023
Title:
Samyé and ceremonies there
Scope & Content:
‘No.4’ ‘Represents all the Deotas of Lopun Rinpochi. The whole representation of dance of the Deotas is called Zhitochum. Zhi’ [zi]’ means good or benevolent Deotas, To’ [khro’] means harsh or evilly disposed, chum’ [hcham]’ (dance).’ ‘1. Buddha Heruka means angry. Three Deotas are represen...
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
1844-1862
Extent:
1 Item

13. Add Or 3024

Reference (shelfmark):
Add Or 3024
Title:
Samyé and ceremonies there
Scope & Content:
‘No.5’ ‘Continuation of the Do de chotpa festival.’ ‘1. Chechogheruka’ [che-mchog-he-ru-ka]. ‘All the other deotas form a square and this one remains in the centre: he is styled Konchok’ [dkon-mchog],’ or the Deity in anger.’ ‘2. A Lama with a human skull full of spirits or liquor.’ ‘3. A z...
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
1844-1862
Extent:
1 Item

14. Add Or 3025

Reference (shelfmark):
Add Or 3025
Title:
Samyé and ceremonies there
Scope & Content:
‘No.6’ ‘1. Shinjhéchétag’ [gsin-rje-che-bdag] ‘Deota’ ‘2. Dorjéh Phagmo’ [rdo-rje-phag-mo] ‘(Devi) the same as the Bajésuri Devi at Kang’ [chi?]. ‘3. Tsangpa Tongtudchun’ [tshans-pa-dun-thod-can]’ Deota’ ‘4. Tumchundozhé Lagpa’ [dam-can-rdo-rje-legs-pa]’ Deota’ ‘5. Ekazati’ [e-ka-dza-ti]’ a...
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
1844-1862
Extent:
1 Item

15. Add Or 3026

Reference (shelfmark):
Add Or 3026
Title:
The Devi image at the Naggar fair, Kulu
Scope & Content:
The Devi image at the Naggar fair, Kulu. Inscribed: ‘The Nuggur Devi ‘Tripura’ as seen at the fair, or, ‘Shari Jattra’ in Kullu. The name of the dance is ‘Jhirta nathi’. The name of the fair held at Nuggur (or Naggurh) is ‘Shari Jattra’, that held at Juggutsokh is ‘Chucheri’ Jattra, that ...
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
1844-1862
Extent:
1 Item

16. Add Or 3027

Reference (shelfmark):
Add Or 3027
Title:
Chinese temple at Lhasa
Scope & Content:
Chinese temple at Lhasa. Inscribed: ‘This is a drawing of the Chinese Temple at Lassa, and is interesting as tending to show the powerful control which that nation exercises over the Tibetans at Lassa, who are of a different religion: still here is the Raja of Lassa and a deputy of the Gyalwa R...
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
1844-1862
Extent:
1 Item

17. Add Or 3028

Reference (shelfmark):
Add Or 3028
Title:
Potala: a Kalacakra ceremony (?)
Scope & Content:
Potala: a Kalacakra ceremony (?) ‘Inscribed:’ ‘This scene is in the Potala at Lhasa, and in a square called Déyungshurr, bde-hbyun (origin or source of happiness)’ [bde-hbyun- ]. ‘The ceremony here pictured takes place in April on the 15th of Dawasumpé tséchogna. Dawa’ [zla-ba]’ is month,...
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
1844-1862
Extent:
1 Item

18. Add Or 3029

Reference (shelfmark):
Add Or 3029
Title:
Potala: the descent of the rope
Scope & Content:
Potala: the descent of the rope. Inscribed: ‘This represents a dangerous exhibition of a man traversing which takes place at the Potala on the 2nd day of the Lnsur’ [lo-gsar, new year]’ fair. It is called Chungkul-takshur’ [byan-khal-thag-sur]. ‘The people who exhibit come from Tsang, and the...
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
1844-1862
Extent:
1 Item

19. Add Or 3030

Reference (shelfmark):
Add Or 3030
Title:
Mudras
Scope & Content:
‘Inscribed:’ ‘These are many of the attitudes assumed by the lamas in their devotions, each of which has a different name.’ ‘1. Sagnon gnyumshak’ [sa-gnon-gnam-gzag]. ‘Sanon means that one hand is bent towards sa, the earth, and gnumshak contemplation. Shakya is’ ‘said to have assumed this po...
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
1844-1862
Extent:
1 Item

20. Add Or 3031

Reference (shelfmark):
Add Or 3031
Title:
Mudras
Scope & Content:
‘9. Sagnon’ [sa-gnon]’ position of repose assumed by Shakya when he had freed the world from evil spirits.’ ‘So far applies to Shakya: the others are position of Deotas’ ‘10. Gingbag’ [hgyin-hbag]’ the name of hands in this position.’ ‘11. Sumtenkiltong’ [bsam-stan-dkyil-drun] ‘do. do. and ...
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
1844-1862
Extent:
1 Item