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Archive Reference (shelfmark) Mss Eur F191

1711. Mss Eur F191/332(1361)

Reference (shelfmark):
Mss Eur F191/332(1361)
Title:
From Erode: I think we arrived in Mercara on April 25th. In Mercara itself I did not record music, but we saw a marriage ceremony. I did work in two places, Napoklu in N. Coorg and Ponampet in S. Coorg. Ponampet, three of the four singers of nr. 127 taken en profil. The drums have the usual hour-glass shape, varying in pitch according to the tension of the ropes by the hands of the players. Photographer: Bake, Arnold Adriaan
Scope & Content:
Genre: Portrait Photography Group portrait of three of the four singers of nr. 127 taken en profil. The drums have the usual hour-glass shape, varying in pitch according to the tension of the ropes by the hands of the players.
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
Jun 1938
Extent:
1 item

1712. Mss Eur F191/332(1362)

Reference (shelfmark):
Mss Eur F191/332(1362)
Title:
From Erode: I think we arrived in Mercara on April 25th. In Mercara itself I did not record music, but we saw a marriage ceremony. I did work in two places, Napoklu in N. Coorg and Ponampet in S. Coorg. Jungle men with their music. The oboe on the right has a mouth-piece like the one I got in Java; usually the oboes in India do not have this. Photographer: Bake, Arnold Adriaan
Scope & Content:
Genre: Portrait Photography Portrait of jungle men with their music. The oboe on the right has a mouth-piece like the one I got in Java; usually the oboes in India do not have this.
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
Jun 1938
Extent:
1 item

1713. Mss Eur F191/332(1363)

Reference (shelfmark):
Mss Eur F191/332(1363)
Title:
From Erode: I think we arrived in Mercara on April 25th. In Mercara itself I did not record music, but we saw a marriage ceremony. I did work in two places, Napoklu in N. Coorg and Ponampet in S. Coorg. The whole group of dancers; the woman is of course a man; in the middle the fool, who had a bell bound on his behind. Photographer: Bake, Arnold Adriaan
Scope & Content:
Genre: Portrait Photography Portrait of the whole group of dancers; the woman is of course a man; in the middle the fool, who had a bell bound on his behind.
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
Jun 1938
Extent:
1 item

1714. Mss Eur F191/332(1364)

Reference (shelfmark):
Mss Eur F191/332(1364)
Title:
From Erode: I think we arrived in Mercara on April 25th. In Mercara itself I did not record music, but we saw a marriage ceremony. I did work in two places, Napoklu in N. Coorg and Ponampet in S. Coorg. The whole group of dancers; the woman is of course a man; in the middle the fool, who had a bell bound on his behind which sounded when he hopped, well to be heard on the record. Photographer: Bake, Arnold Adriaan
Scope & Content:
Genre: Portrait Photography Portrait of the fool in the dance, who had a bell bound on his behind which sounded when he hopped, well to be heard on the record.
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
Jun 1938
Extent:
1 item

1715. Mss Eur F191/332(1365)

Reference (shelfmark):
Mss Eur F191/332(1365)
Title:
From Erode: I think we arrived in Mercara on April 25th. In Mercara itself I did not record music, but we saw a marriage ceremony. I did work in two places, Napoklu in N. Coorg and Ponampet in S. Coorg. A close-up showing the "woman" as well as the fool, who had painted half his face black and made white spots on his chest. Photographer: Bake, Arnold Adriaan
Scope & Content:
Genre: Portrait Photography A close-up view showing the "woman" as well as the fool, who had painted half his face black and made white spots on his chest.
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
Jun 1938
Extent:
1 item

1716. Mss Eur F191/332(1366)

Reference (shelfmark):
Mss Eur F191/332(1366)
Title:
From Erode: I think we arrived in Mercara on April 25th. In Mercara itself I did not record music, but we saw a marriage ceremony. I did work in two places, Napoklu in N. Coorg and Ponampet in S. Coorg. The stately father of the bridegroom in Mercara: Rao Bahadur something something Chengappa, I think. A decoration with banana stem is made for the wedding. Photographer: Bake, Arnold Adriaan
Scope & Content:
Genre: Portrait Photography Portrait of the stately father of the bridegroom in Mercara: Rao Bahadur...Chengappa, I [Bake] think. A decoration with banana stem is made for the wedding.
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
Jun 1938
Extent:
1 item

1717. Mss Eur F191/332(1367)

Reference (shelfmark):
Mss Eur F191/332(1367)
Title:
From Erode: I think we arrived in Mercara on April 25th. In Mercara itself I did not record music, but we saw a marriage ceremony. I did work in two places, Napoklu in N. Coorg and Ponampet in S. Coorg. The bridegroom; under the wreaths of flowers he wears golden chains. Around his waist is a brocade belt and the chains holding the Coorgi knife. On 125 (and 132, P. V.) this knife is stuck through the belt in front, but usually, it is worn at the back. Photographer: Bake, Arnold Adriaan
Scope & Content:
Genre: Portrait Photography Portrait of the bridegroom; under the wreaths of flowers he wears golden chains. Around his waist is a brocade belt and the chains holding the Coorgi knife. On 125 (and 132, P. V.) this knife is stuck through the belt in front, but usually, it is worn at the back.
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
Jun 1938
Extent:
1 item

1718. Mss Eur F191/332(1368)

Reference (shelfmark):
Mss Eur F191/332(1368)
Title:
From Erode: I think we arrived in Mercara on April 25th. In Mercara itself I did not record music, but we saw a marriage ceremony. I did work in two places, Napoklu in N. Coorg and Ponampet in S. Coorg. The feet of the bride with silver ornaments. Once she had entered the house, she was not allowed to go outside in order to be photographed, even not at the top of the stairs to veranda. But she was allowed to go to the veranda at a place there were no stairs and she kindly lifted her sari to ...
Scope & Content:
Genre: Portrait Photography Portrait of the feet of the bride with silver ornaments. Once she had entered the house, she was not allowed to go outside in order to be photographed, even not at the top of the stairs to veranda. But she was allowed to go to the veranda at a place there were no sta...
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
Jun 1938
Extent:
1 item

1719. Mss Eur F191/332(1369)

Reference (shelfmark):
Mss Eur F191/332(1369)
Title:
From Erode: I think we arrived in Mercara on April 25th. In Mercara itself I did not record music, but we saw a marriage ceremony. I did work in two places, Napoklu in N. Coorg and Ponampet in S. Coorg. Gangapuja, the bride brings water to her husband's house. The disks on her hair are golden. I filmed the whole ceremony. Dancing relatives obstruct her way to the house and even the bridegroom joined them. Photographer: Bake, Arnold Adriaan
Scope & Content:
Genre: Portrait Photography View of Gangapuja after marriage, the bride brings water to her husband's house. The disks on her hair are golden. Dancing relatives obstruct her way to the house and even the bridegroom joined them.
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
Jun 1938
Extent:
1 item

1720. Mss Eur F191/332(1370)

Reference (shelfmark):
Mss Eur F191/332(1370)
Title:
From Erode: I think we arrived in Mercara on April 25th. In Mercara itself I did not record music, but we saw a marriage ceremony. I did work in two places, Napoklu in N. Coorg and Ponampet in S. Coorg. The procession nearing the front of the house. Photographer: Bake, Arnold Adriaan
Scope & Content:
Genre: Portrait Photography View of the marriage procession nearing the front of the house.
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
Jun 1938
Extent:
1 item