Robert Schumann: ‘Beim Abschied zu singen’ (text E. von Feuchtersleben), for chorus and wind ensemble, op. 84
Scope & Content:
Autograph draft in short score. Written in ink on systems of two staves. Tempo direction ‘Langsam’. Text begins ‘Es ist bestimmt in Gothes Rath’. Headed ‘Lied zum Abschied’ at top left and dated ‘7 Mai 47.’ at top right of f. 1r. With indication of instrumentation above the first system on f. 1r...
Gaspare Spontini: ‘Olympie’, opera in three acts, second version (libretto by Dieulafoy and Briffaut after Voltaire, revised by E.T.A. Hoffman), 1821: chorus ‘Ciel! Il expire’ with following recitative for the Hièrophante and Cassandra, from Act III, scene viii
Scope & Content:
Autograph full score. Written in ink on systems of up to 16 staves. Tempo direction ‘Andante un poco sostenuto’ (f. 1r). Staves extended into the right margin by the composer on f. 2r. The recitative is given in a shorter version than that found in the published score, and the parts for the two ...
Gaspare Spontini: Credo in G for two voices and obbligato solo organ
Scope & Content:
Autograph score. Written in ink on systems of four staves. Title on f. 1r: ‘Credo a / Due Voci con / L’organo solo obbligato / Di / Gaspare Spontini’, with, also in the composer’s hand at top right, ‘Originale’. Scored for organ (written on the single uppermost stave), Canto (in soprano clef), A...
Johann Strauss, the elder: ‘Redoute-Quadrille’, op.158
Scope & Content:
Possibly not autograph. Full score. Written in ink on systems of 16 staves. Music begins f. 1v. Scored for piccolo, flute, 2 clarinets, oboe, bassoon, 2 horns, 2 trumpets, timpani, bass drum, side drum, 2 trombones, and strings. An extra stave is added in ink and pencil beneath the system on f. ...
Act I of Richard Strauss's opera in three acts 'Die schweigsame Frau'
Scope & Content:
Opening tempo direction ‘Allegro’ (f. 1r). Signed at upper right of f. 1r, and with ‘begonnen 16. Februar 1933’ [added] at bottom left; dated Garmisch, 11 March 1933 at end (f. 40r). Timings are given in pencil on ff. 11v, 19v, 40r. As follows: ff. 1r-4v. Scene I. ff. 4v-11v. [Scene II.] The beg...
Act III of Richard Strauss's opera in three acts 'Die schweigsame Frau'
Scope & Content:
Opening tempo direction ‘Allegro molto’ (f. 2r). Signed at upper right of f. 2r; dated Kissingen, 13 May 1934 (f. 33v). Additions in brown ink occupy two single inserted folios (ff. 1, 34) bound at the front and rear of the volume as well as part of the final page of the last gathering, as noted...
Signed at upper right of f. 1r; dated Garmisch, 10 Jan. 1935 (f. 4v). In a passage heavily annotated in pencil on f. 3v the score system is extended for 2 bars to 6 staves.
Giuseppe Verdi: ‘Luisa Miller’, opera in three acts (libretto Salvatore Cammarano, after Schiller): album leaf with an extract from Act III
Scope & Content:
Autograph. Passage of 9 bars for Luisa (soprano), from the final section of her duet with her father, comprising the lines beginning ‘Andrem, raminghi e poveri’. Written, on the recto of the leaf only, in ink on sytems of two staves giving the vocal line and accompaniment. Marked ‘and[ant]e’ aga...
Giuseppe Verdi: ‘Falstaff’, opera in three acts (libretto Arrigo Boito), 1893: draft in short score of 16 bars from Act III, part ii
Scope & Content:
In the hand of Arrigo Boito. Written, on the recto of the leaf only, in ink on systems of two staves giving vocal line and accompaniment (in the treble clef). Text in Italian. The passage begins 4 bars after fig. 50, and represents the revisions to the text and vocal line sung over the wedding m...
Giuseppe Verdi: Letter to the publisher Tito Ricordi; Rome, 4 Feb. 1859
Scope & Content:
Autograph. Italian. The text, with a postscript, occupies ff. 1r-2r, the address, to Ricordi in Milan, impression of Verdi’s oval ‘G.V.’ seal, and Rome and Milan franking stamps, f. 2v. Part of the upper margin of f. 1 is torn away, leaving part of a number added in ink in another hand at the to...
