This is an interim version of our Archives and Manuscripts Catalogue while we continue to recover from a cyber-attack.
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'Field Traverse Sheets. Scale 1/125,000' - War Office ledger
Scope & Content:
Portrays hydrology, relief by form lines and spot heights, roads and tracks, telegraph lines, settlements, wells and water holes, place names, boundary points and survey stations, and includes topographical notes. The War Office ledger lists sheets 1 to 29, except sheet 8; however sheets 2, 3, 7...
'Field Traverse Sheet. Scale 1/100,000' - War Office ledger
Scope & Content:
Sheet 8. Portrays hydrology, relief by form lines, roads and tracks, settlements, wells and water holes, place names, boundary points and survey stations, and includes topographical notes. The map bears the note 'This sheet is a copy of a plane table sheet by Herr Kametz (Austrian) working for ...
Portrays vegetation, roads and tracks, settlements, aerodromes, place names and amendments, boundary points and the international boundary, and includes topographical notes. The sheet bears a note relating it to Sheet 16 at WOOS/34/1.
The base map is G.S.G.S. No. 2871 Sheet North C38-39/B38-39 dated 1926 - a copy is filed at Maps MOD GSGS 2871. Portrays hydrology, relief by spot heights and gradient tints, railways, roads and tracks, telegraph lines, settlements, water sources, international boundaries and place names. A grap...
George Frideric Handel: Aria ‘E troppo bella troppo amorosa la Pastorella’, part of the cantata ‘Ho fuggito Amore anch’io’ (HWV 118), for voice and basso continuo
Scope & Content:
Autograph score. Written in ink on systems of two staves: vocal line in the alto clef and figured bass. In D; tempo direction ‘allegro’ (f. 1r). Annotations by Vincent Novello in the upper margin of f. 1r record that the manuscript formerly belonged to Domenico Dragonetti and attest to its authe...
Autograph full score. Written in ink on systems of 12 staves. Signed and dated on the title-page (f. 1r): ‘Sinfonia in C / di me giuseppe Haydn m[anu] p[ro]pria London. 792 [line above]’. In four movements, as follows: ff. 1v-13r. ‘Adagio (f. 1v) - Vivace’ (f. 2r). The first page of music (f. ...
Paul Hindemith: Kammermusik no. 2 (Piano Concerto), op. 36, no. 1, for piano and 12 solo instruments: draft of the first and last movements
Scope & Content:
Autograph. The last movement incomplete. In short and condensed score. Written in pencil and ink on systems of two to six staves. No tempo directions. In a small notebook, the two movements written from opposite ends of the volume. At some stage Hindemith wrote in titles for both movements, and ...