Conductor's copy of ‘Responsorii di Settimana Santa,’ for 2 choirs of 4 voices each, with figured basses for organ, in score, apparently by [Scipione?] Dentice (see f. 70b). A list of the contents of the MS. is given in the description of Add MS 14137.
Portions of two operas, with symphonies and accompaniments for oboes, strings, and other instruments mentioned below, in score. 1. Acts i and ii of an opera [?'Andromacca e Pirro'], apparently by T. G. or G. T. [possibly Giacomo Tritto, who wrote an opera of that name]. The bass is occasionally...
Portions of two anonymous dramatic works, with symphonies and accompaniments for strings and a bass (occasionally figured) for harpsichord, in score. 1. Act i of a piece in the Neapolitan dialect in which the characters are Don Pompeo Squinsaglio, Don Claudio, l' Abbate, Ernellina, Leandro, Co...
Mass for 4 voices, with symphonies and accompaniments for strings, etc., and a figured bass for organ, in score, by Nicola Porpora. Composed in 1747. The ‘Kyrie‘ and ‘Gloria’ are in C; the other movements in F.
‘Fulgete, sydera’: Motet for 2 choirs, with symphonies and accompaniments for oboes, trumpets, and strings, wrongly attributed to De Majo, but really by Pasquale Cafaro (see Add MS 14152.). The opening chorus is autograph, and in score; the rest in parts. Imperfect.
Mass in C (‘Kyrie’ and ‘Gloria’), for 5 voices, with symphonies and accompaniments for oboes, trumpets, and strings, and a figured bass for organ, in score, by [Pasquale] Cafaro. Autograph.