Add MS 30480-30484

Anthems, services, motets and other part works by English composers in 5 part-books. Volume i contains the cantus, vol. ii the contra-tenor, vol. iii the tenor, vol. iv the bass, and vol. v the quintus parts.

Passim. Anthems by English composers, in parts: —1. 'O prayse God in his holynes.' [R.] 'Whyt'[e]. i, f. 22b; ii, f. 24b; iii f. 22; iv, f. 24b. 2. 'Prayse ye the lord, ye children.' 'Doctor Tye.' i, f. 24; ii, f. 26; iii, f. 23b; iv, f. 25b. {With second part 'Who is like unto the Lord'}. 3. 'Christ rysynge agayne.' 'Shepperde.' i, f. 25b; ii, f. 28; iii, f. 25; iv, f. 27. 4. 'O mercyfull father, we besech the'; with second part, 'God confound ye proude.' 'Feryng.' i, f. 27; ii, f. 29; iii, f. 26b; iv, f. 28b. 5. 'O God, for thy name sake save me.' 'John Franctynge.' i, f. 28; ii, f. 30b; iii, f. 27b; iv, f. 29b. 6. 'I gyve yow a newe commaundement.' [J.] 'Sheperde.' i, f. 29; ii, f. 31b; iii, f. 29; iv, f. 31. 7. 'In iudgment, lorde.' Anonymous. i, f. 30; ii, f. 32b; iii, f. 30; iv, f. 32. 8. 'Prepare yowe, prepare yowe, tyme weareth awaye.' [Will.?] Mundy. i, f. 38b; ii, f. 42b; iii, f. 39b; iv, f. 42b. 9. 'When Jesus went into Simon the pharisyes howse.' In 5 parts. 'Tallis.' i, f. 40; ii, f. 42; iii, f. 41; iv, f. 45. 10. 'From the depth I called.' 'Docter Tye.' i, f. 41; ii, f. 47; iii, f. 43; iv, f. 46. 11. 'Wipe away my synes.' By Tallis. i, f. 42b; ii, f. 49; iii, f. 45; iv, f. 48; v, f. 2. 12. 'Blessed arte thow that fearest God.' 'Phillip de Wildroe.' i, f. 44; ii, f. 50b; iii, f. 46b; iv, f. 49b; v, f. 3b. 13. 'My trust, O Lorde, in the is grounded.' In 5 parts. 'Doctor Tye.' i, f. 45; ii, f. 51b; iii, f. 47; iv, f. 50b; v, f. 4. 14. 'Wyth all our hartes.' By Tallis. i, f. 46; ii, f. 52b; iii, f. 48b; iv, f. 51b; v, f. 5. 15. 'I will geve thankes vnto ye Lord with my holl harte.' Anonymous, i, f. 47; ii, f. 56; iii, f. 52; iv, f. 55. 16. 'Purge me, O Lord.' 'Tallys.' i, f. 49; ii, f. 55; iii, f. 51; iv, f. 54. 17. 'Delyver vs, Lord'; some parts beginning, 'Bothe nyght and daye save vs.' Anonymous, i, f. 49b; ii, f. 55b; iii, f. 51b; iv, f. 54b. 18. 'Delyuer vs, good lord, from eternall Death.' 'Doctor Tye.' i, f. 51; ii, f. 57b; iii, f. 49; iv, f. 56b. 19. 'Lord, thou haste commanded.' 'Baruch Bulman.' i, f. 52; ii, f. 58b; iii, f. 54; iv, f. 57b. 20. 'O geue thankes vnto ye Lord, for he.' 'Taverner.' i, f. 53; ii, f. 59b; iii, f. 55; iv, f. 58b. 21. 'I have loued.' 'Docter Tye.' i, f. 53b; ii, f. 60; iii, f. 55b; iv, f. 59. 22. 'O Lord, rebuke me not' — the music imperfect at the end. Anonymous, i, f. 56; ii, f. 62; iii, f. 57b; iv, f. 62. 23. 'Save me, O God, for thy names sake.' In 4 parts. By Tye. i, f. 57b; ii, f. 45; iii, f. 41b; iv, f. 52. 24. 'Oure father, which arte in heuen.' Anonymous, iv, f. 32b.

Passim. Motets by English composers, in parts: — 1. ‘Jesum Nazarenum’ (à 3). By Dr. Tye. i, f. 58b; ii, f. 65; iii, f. 61. 2. ‘Facti sunt Nazarei.’ By Tallis. i, f. 63b; ii, f. 68b; iii, f. 63b; iv, i. 65b; v, f. 11. 3. ‘O salutaris hostia’ (à 5). ‘Tallis.’ i, f. 74; ii, f. 79; iii, f. 73; iv, f. 76; v, f. 12b. 4. ‘Cor mundum crea‘ (à 4). Anonymous, i, f. 75; ii, f. 80; iii, f. 74; iv, f. 76b. 5. ‘Deus, in nomine tuo‘; with second part, ‘Averte mala.’ Anonymous, i, f. 76; ii, f. 81; iii, f. 75; iv, f. 77b; v, f. 12b. 6. ‘Domine, in vertute tua’; with second part, ‘Magna [est] Gloria eius’ (à 5). ‘Johnson.’ i, f. 76b; ii, f. 81b; iii, f. 75b; iv, f. 78b; v, f. 13. 7. ‘Venit vox de cœlo,’ with second part, ‘Respondit miles’ (à 5). Anonymous. i, f. 79b; ii, f. 84b; iii, f. 78b; iv, f. 82; v, f. 15. 8. ‘Dum transisset sabatum‘ (à 5). By Sebastian Holland, i, f. 80b; ii, f. 85b; iii, f. 79; iv, f. 83; v, f. 15b. 9. ‘Cecilia Virgo’ (à 4). Anonymous, i, f. 81b; ii, f. 86b; iii, f. 80b; iv, f. 84. 10. ‘Domine, in virtute tua.’ By Johnson. Differs but slightly from no. 6. i, f. 82b; ii, f. 88; iii, f. 81b: iv, f. 85; v, f. 16b.

Passim. Vocal part-music by English composers, mostly for 4 or 5 voices, in parts. 1. 'O death,...rock me asleep.' For 5 voices. Anonymous. i, f. 37b; ii, f. 40b; iii, f. 38b; iv, f. 41; v, f. 19b. 2. 'Com, palefaced death.' For 4 voices. 'Johnson.' i, f. 38; ii, f. 41b; iii, f. 39; iv, f. 41b. 3. 'When shall my sorowfull syghinge slake.' 'Tallys.' i, f. 48; ii, f. 54; iii, f. 50; iv, f. 53. 4. 'Defiled is my name.' '[R.] Johnsone.' i, f. 49b; ii, f. 56b; iii, f. 52b; iv, f. 55b. 5. 'Vt re mi fa' (a solfa-ing song). In 4 parts. 'Parsons.' i, f. 57b; ii, f. 63b; iii, f. 59b; iv, f. 66. 6. 'Triumphe, Triumphe, with plesaunte melodie.' For 5 voices. '[William] Bird.' i, f. 60; ii, f. 67; iii, f. 62; iv, f. 64; v, f. 9b. 7. 'Susanna fayer.' Imperfect at the end. By A. Ferrabosco, sen. i, f. 62. 8. 'Elisa...is ye fayrest quene.' 'Johnson,' stated in a later hand to be 'chaplain to Quene Anne Bullen.' i, f. 63; ii, f. 68b; iii, f. 63b; iv, f. 65b; v, f. 10b. 9. 'Com agayne,...sweet natur's traseur.' 'E. Johnson.' i, f. 63; ii, f. 68b; iii, f. 63b (here attributed to Phillypes); iv, f. 65b; v, f. 10b. 10. 'With out redressee (sic) I wast[e] my mynde.' For 4 voices. Anonymous. i, f. 74b; ii, f. 79b; iii, f. 73b; iv, f. 76b. 11, 12. 'D'ung noveau dart je suis frap[p]e' (two versions?). For 5 voices. By P. Phillips. i, ff. 78b, 79; ii, ff. 83b, 84; iii, ff. 77b, 78; iv, ff. 80b, 81; v, f. 14b. 13. 'Mistruste oft tymes amise.' Anonymous. i, f. 87b; ii, f. 92b; iii, f. 86; iv, f. 89. 14 ...(? 2nd verse) 'By art of...' ii, f. 93. 15. 'As one in care I doe lament.' Anonymous, v, f. 10.

Passim. Pieces for 4 strings, in parts: —1. 'Precamor' (sc. 'Precamur, Sancte Domine'). 'Bird.' i, f. 70; ii, f. 74b; iii, f. 69b; iv, f. 71b. 2. 'Deus mesereater.' 'Robarte Johnsonne.' i, f. 71; ii, f. 76; iii, f. 71; iv, f. 73. 3. 'Levavi oculose' (sic). 'Wyllyam More, harpour to Edw. VI.' i, f. 72; ii, f. 77; iii, f. 64; iv. f. 74. 4. 'A my tute planis' (sc. 'Ami, tu te plains' ?). i, f. 78; ii, f. 83; iii, f. 77; iv, f. 14. {v. = 30484} 5. 'Quel foco che.' i, f. 85; ii, f. 90; iii, f. 85b; iv, f. 87. 6. 'O Lord, turne not awaye.' i, f. 87; ii, f. 92; iii, f. 86; iv, f. 89. 7. 'Cum Sancto [Spiritu].' i, f. 88; ii, f. 92b; iii, f. 86; iv, f. 89. 8. 'Et expecto Resurrectionem [mortuorum].' i, f. 88; ii, f. 92b; iii, f. 86; iv, f. 89b.

Passim. Five-part compositions, most of them originally written for voices: —1. 'Lachrime.' Weelkes.' i, f. 62b; ii, f. 68; iii, f. 83; iv, f. 65; v, f. 10b. 2. 'Ne Irascaris' ('O Lord, turne They wrath away'). 'Bird.' i, f. 65b; ii. f. 73b; iii, f. 68b; iv, f. 70b; v, f. 9. 3. 'Ille dum pergunt.' By Tallis. i, f. 66b; ii, f. 70b; iii, f. 65b; iv, f. 67b; v, f. 5b. 4. 'In manus tuas, Domine.' Anonymous. i, f. 66b; ii, f. 70b; iii, f. 65b; iv, f. 67b; v, f. 6. 5. 'O sacrum convivium' ('I call and cry'). By Tallis. i, f. 67; ii, f. 71; iii, f. 66; iv, f. 68; v, f. 6b. 6. 'Emendemus in me.' By Byrd. i, f. 67b; ii, f. 71b; iii, f. 66b; iv, f. 68b; v, f. 7. 7. Peccamur' (sic). Anonymous. i, f. 68; ii, f. 72; iii, f. 67; iv, f. 69; v, f. 7b. {(White)} cf. 47844 no. 1} 8. 'Delacurt.' 'Parsone.' i, f. 69b; ii, f. 72b; iii, f. 67b; iv, f. 70; v, f. 8b. 9. Galliard. 'Parsons.' i, f. 70; ii, f. 74b; iii, f. 70b; iv, f. 72b; v, f. 11b. 10. 'Perslis clocke,' sc. 'The Clock,' by Parsley. i, f. 70b; ii, f. 75b; iii, f. 70b; iv, f f. 72b; v, f. 11b. 11. 'In nomine.' Anonymous. i, f. 73; ii. f. 78; iii, f. 72; iv, f. 75. 12. Piece unnamed. Anonymous. i, f. 73; ii. f. 78b; iii, f. 72b; iv, f. 75b; v, f. 12. 13. 'Non neamo' [? 'Nonne amo']. Anonymous. i, f. 73b; ii, f. 78b; iii, f. 72b; iv, f. 75b; v, f. 12. 14. 'Vostre jamais par heritage.' 'W. P.' i, f. 78; ii, f. 83; iii, f.77; iv, f. 80; v, f. 14. 15. 'Or il ne mest possible.' By Clemens non Papa. i, f. 85b; ii, f. 90b; iii, f. 84; iv, f. 87b; v, f. 18. 16. 'Oy, je me playns.' Anonymous. i, f. 86; ii, f. 91; iii, f. 84b; iv, f. 88; v, f. 18b. 17. 'A che cerchar.' Anonymous. i, f. 86b; ii, f. 91b; iii, f. 85; iv, f. 88b; v, f. 19.

ff. 2-40b passim. Services, most of them for 4 voices: —1. Evening Service, in F. The Nunc Dimittis has been removed from vol. i, and the beginning of the Magnificat from vols, i and iv; the tenor part to both is wanting. 'Partyne.' i, f. 2; ii, f. 2; iv, f. 4. 2. Te Deum, in F. 'Parcele.' i, f. 4; ii, f. 5; iii, f. 2; iv, f. 5. 3. Venite, in D minor (a 4). 'Robart Adorns' or 'Adames.' i, f. 7b (where it is said to be in '3 parts'); ii, f. 8b; iii, f. 5b; iv, f. 8b. 4. Benedictus, beg. 'Blessed be the Lord. . . .for he hath. . . .raysed vp a myghty saluation.' In F. Anonymous, i, f . 9b; ii, f . 10b; iii, f. 7b; iv, f. 10b. 5. Benedictus, beg. 'Blessed be ye Lord,... for he hath. .. .raysed vp an home of salvation.' 'Parseley.' i, f. 11b; ii, f. 12b; iii, f. 9b: iv, f. 12b. 6. Te Deum, in F. 'Moondaye' or 'Mundye.' i, f. 13b; ii, f. 14b; iii, f. 11b; iv, f. 14b. 7. Deus misereatur, in F. 'Doctor Tye.' i, f. 16; ii, f. 17b; iii, f. 16; iv, f.l7b. 8. Jubilate. Anonymous. Described by J. Stafford Smith as 'Probably the earliest ever set to music in parts.' i, f. 17b; ii, f. 19; iii, f. 14b; iv, f. 19. 9. Nunc Dimittis, in G minor. 'R. Adams.' i, f. 19; ii, f . 20; iii, f. 17b; iv, f. 20b. 10. Nunc Dimittis, in F. 'Doctor Tye.' i, f. 19b; ii, f. 21; iii, f. 18b; iv, f. 21b. 11. Magnificat. 'Whitbroke.' i, f. 20b; ii, f. 22; iii, f. 19b; iv, f. 22b. 12. Offertory Sentence in F, beg. 'Geue almes of thy goodes.' Anonymous, i, f. 22; ii, f. 24; iii, f. 21b; iv, f. 24. 13. Morning Service (Venite, Te Deum, Benedictus, and Gloria in Excelsis). 'Thamas Caustun.' (See John Day's 'Certaine notes . . . to be sung at the Morning, Communion and Evening Prayer, 1560.) i, ff . 31-37b; ii, ff . 33b-40; iii, ff . 31-38; iv, ff. 33b-40b.

Vol. i. f. 68b; ii, f. 72; iii, f. 67; iv, f. 69b; v, f. 8. 'Kirieleson' ('The best songe in England') [followed by 'haec dies'] ; for 6 instruments, in parts. By [J.] Shepherd

Vol. iii. f. 89b. A composition, probably English, apparently written, or arranged, for a treble viol. Anonymous.