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Add MS 30482

Record Id:

040-002022152

Hierarchy Root Ancestor Record Id:

032-002022149

MDARK:

ark:/81055/vdc_100000001396.0x00008a

LARK:

SLARK:

Format:

ISAD(G)

Reference (shelfmark):

Add MS 30482

Title:

Services, anthems, and a few part-songs, for five voices. Volume 3. Tenor.

Scope & Content:

Anthems, services, motets and other part works, some intended for string instruments, by English composers. Tenor part-book.

For other voice parts from this set see Add MS 30480-30481 and Add MS 30483-30484.

f. 2. Te Deum, in F. 'Parcele.'
f. 5v. Venite, in D minor (a 4). 'Robart Adorns' or 'Adames.'
f. 7v. Benedictus, beg. 'Blessed be the Lord. . . .for he hath. . . .raysed vp a myghty saluation.' In F. Anonymous,
f. 9v. Benedictus, beg. 'Blessed be ye Lord,... for he hath. .. .raysed vp an home of salvation.' 'Parseley.'
f. 11v. Te Deum, in F. 'Moondaye' or 'Mundye.'
f. 14v. Jubilate. Anonymous. Described by J. Stafford Smith as 'Probably the earliest ever set to music in parts.'
f. 16. Deus misereatur, in F. 'Doctor Tye.'
f. 17v. Nunc Dimittis, in G minor. 'R. Adams.'
f. 18v. Nunc Dimittis, in F. 'Doctor Tye.'
f. 19v. Magnificat. 'Whitbroke.'
f. 21v. Offertory Sentence in F, beg. 'Geue almes of thy goodes.' Anonymous,
f. 22. 'O prayse God in his holynes.' [R.] 'Whyt'[e].
f. 23v. 'Prayse ye the lord, ye children.' 'Doctor Tye.'
f. 25. 'Christ rysynge agayne.' 'Shepperde.'
f. 26v. 'O mercyfull father, we besech the'; with second part, 'God confound ye proude.' 'Feryng.'
f. 27v. 'O God, for thy name sake save me.' 'John Franctynge.'
f. 29. 'I gyve yow a newe commaundement.' [J.] 'Sheperde.'
f. 30. 'In iudgment, lorde.' Anonymous.
ff. 31-38. Morning Service (Venite, Te Deum, Benedictus, and Gloria in Excelsis). 'Thamas Caustun.' (See John Day's 'Certaine notes . . . to be sung at the Morning, Communion and Evening Prayer, 1560.)
f. 38v. 'O death,...rock me asleep.' For 5 voices. Anonymous.
f. 39. 'Com, palefaced death.' For 4 voices. 'Johnson.'
f. 39v. 'Prepare yowe, prepare yowe, tyme weareth awaye.' [Will.?] Mundy.
f. 41. 'When Jesus went into Simon the pharisyes howse.' In 5 parts. 'Tallis.'
f. 41v. 'Save me, O God, for thy names sake.' In 4 parts. By Tye.
f. 43. 'From the depth I called.' 'Docter Tye.'
f. 45. 'Wipe away my synes.' By Tallis.
f. 46v. 'Blessed arte thow that fearest God.' 'Phillip de Wildroe.'
f. 47. 'My trust, O Lorde, in the is grounded.' In 5 parts. 'Doctor Tye.'
f. 49. 'Delyuer vs, good lord, from eternall Death.' 'Doctor Tye.'
f. 50. 'When shall my sorowfull syghinge slake.' 'Tallys.'
f. 51. 'Purge me, O Lord.' 'Tallys.'
f. 51v. 'Delyver vs, Lord'; some parts beginning, 'Bothe nyght and daye save vs.' Anonymous,
f. 52. 'I will geve thankes vnto ye Lord with my holl harte.' Anonymous,
f. 52v. 'Defiled is my name.' '[R.] Johnsone.'
f. 54. 'Lord, thou haste commanded.' 'Baruch Bulman.'
f. 55. 'O geue thankes vnto ye Lord, for he.' 'Taverner.'
f. 55v. 'I have loued.' 'Docter Tye.'
f. 57v. 'O Lord, rebuke me not' — the music imperfect at the end. Anonymous,
f. 59v. 'Vt re mi fa' (a solfa-ing song). In 4 parts. 'Parsons.'
f. 61. ‘Jesum Nazarenum’ (à 3). By Dr. Tye.
f. 62. 'Triumphe, Triumphe, with plesaunte melodie.' For 5 voices. '[William] Bird.'
f. 63v. 'Elisa...is ye fayrest quene.' 'Johnson,' stated in a later hand to be 'chaplain to Quene Anne Bullen.'
f. 63v. 'Com agayne,...sweet natur's traseur.' 'E. Johnson.' (here attributed to Phillypes);
f. 63v. ‘Facti sunt Nazarei.’ By Tallis.
f. 64. 'Levavi oculose' (sic). 'Wyllyam More, harpour to Edw. VI.'
f. 65v. 'Ille dum pergunt.' By Tallis.
f. 65v. 'In manus tuas, Domine.' Anonymous.
f. 66. 'O sacrum convivium' ('I call and cry'). By Tallis.
f. 66v. 'Emendemus in me.' By Byrd.
f. 67. Peccamur' (sic). Anonymous.
f. 67. 'Kirieleson' ('The best songe in England') [followed by 'haec dies'] ; for 6 instruments, in parts. By [J.] Shepherd
f. 67v. 'Delacurt.' 'Parsone.'
f. 68v. 'Ne Irascaris' ('O Lord, turne They wrath away'). 'Bird.'
f. 69v. 'Precamor' (sc. 'Precamur, Sancte Domine'). 'Bird.'
f. 70v. Galliard. 'Parsons.'
f. 70v. 'Perslis clocke,' sc. 'The Clock,' by Parsley.
f. 71. 'Deus mesereater.' 'Robarte Johnsonne.'
f. 72. 'In nomine.' Anonymous.
f. 72v. Piece unnamed. Anonymous.
f. 72v . 'Non neamo' [? 'Nonne amo']. Anonymous.
f. 73. ‘O salutaris hostia’ (à 5). ‘Tallis.’
f. 73v. 'With out redressee (sic) I wast[e] my mynde.' For 4 voices. Anonymous.
f. 74. ‘Cor mundum crea‘ (à 4). Anonymous,
f. 75. ‘Deus, in nomine tuo‘; with second part, ‘Averte mala.’ Anonymous,
f. 75v. ‘Domine, in vertute tua’; with second part, ‘Magna [est] Gloria eius’ (à 5). ‘Johnson.’
f. 77. 'A my tute planis' (sc. 'Ami, tu te plains' ?).
f. 77. 'Vostre jamais par heritage.' 'W. P.'
ff. 77v-78. 'D'ung noveau dart je suis frap[p]e' (two versions?). For 5 voices. By P. Phillips.
f. 78v. ‘Venit vox de cœlo,’ with second part, ‘Respondit miles’ (à 5). Anonymous.
f. 79. ‘Dum transisset sabatum‘ (à 5). By Sebastian Holland,
f. 80v. ‘Cecilia Virgo’ (à 4). Anonymous,
f. 81v. ‘Domine, in virtute tua.’ By Johnson. Differs but slightly from no. 6.
f. 83. 'Lachrime.' Weelkes.'
f. 84. 'Or il ne mest possible.' By Clemens non Papa.
f. 84v . 'Oy, je me playns.' Anonymous.
f. 85. 'A che cerchar.' Anonymous.
f. 85v. 'Quel foco che.'
f. 86. 'O Lord, turne not awaye.'
f. 86. 'Cum Sancto [Spiritu].'
f. 86. 'Et expecto Resurrectionem [mortuorum].'
f. 86. 'Mistruste oft tymes amise.' Anonymous.

Collection Area:

Music Collections

Project / Collection:

Additional Manuscripts

Hierarchy Record Ids:

032-002022149
040-002022152

Is part of:

Add MS 30480-30484 : Services, anthems, and a few part-songs, for five voices, by Nathaniel Giles, Robert Adams, Christopher Tye, John…

Add MS 30482 : Services, anthems, and a few part-songs, for five voices. Volume 3. Tenor.

Hierarchy:

032-002022149[0003]/040-002022152

Container:

View / search within Archive / Collection: Add MS 30480-30484

Record Type (Level):

File

Extent:

1 volume (87 folios)

Digitised Content:

http://www.bl.uk/manuscripts/FullDisplay.aspx?ref=Add_MS_30482 (digital images currently unavailable)

Thumbnail:

Languages:

English

Scripts:

Latin

Start Date:

1560

End Date:

1599

Date Range:

Late 16th century

Era:

Access:

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Material Type:

Archives and Manuscripts

Legal Status:

Not Public Record(s)