Add MS 88909/36/13

Letters received from the following:

(T)

• Richard Tabor (Lobby Press), Cambridge (1978);
• Tameside Metropolitan Borough (Education Dept), Cheshire (5 letters, 1978-79) concerning in-service course for teachers;
• Ron Tamplin, Exeter Books, University of Exeter (1970);
• James Taylor (The Pluralist Press), Glasgow (2 letters, 1977), establishing new journal Logopoeia;
• Telefilm Saar GmbH, Saarbrücken (1977) - rehearsal arrangements for 'Maulkonzert';
• 'Terminal City', Vancouver (1972) - promotional postcard;
• Thames and Hudson Ltd, London (1972), enclosing statement (not present) by Cobbing to appear in Revolution in the Arts;
• The Literary Supplement (1972) - circular promoting new publication edited by Anthony Barnett, logo and abbreviated name (TLS) mimicking Times Literary Supplement;
• Franciszka Themerson (Gaberbocchus Press), London (nd) - brief statement about Gaberbocchus;
• Denys Thompson, Cambridge (1972), concerning Poetry Review;
• Nigel Thompson, The Browning Institute, Florence (1977);
• Philip Thompson, London (1972), co-editing book with Gerald Woods on designers and photographers (Thames & Hudson), seeking permission to use excerpt from 'The Wild Game of Sight';
• D M Thomas, Herford (1972), joining Poets Conference: 'You and George going into no. 10 on the telly was the funniest thing I've ever seen';
• Time Out, London (1970) - poetry column, and 'Sounds-in-Fusion';
• Richard Tipping, Norwood, South Australia (1979), collecting material for touring Australian exhibition, and editing concrete poetry issue of Aspect;
• Nick Toczek (LWM Publications), Bradford (1979), with comments on ALP and Poetry Society - 'here's LWM 10 with your pieces';
• Miroljub Todorović, Belgrade (1979), seeking visual poems for Književnost ('The Present Moment of Visual Poetry');
• Chris Torrance, Pontneathvaughan, Glamorgan (2 letters, 1973, 1977) - Poets Conference;
• Traditional Visual Art (Alastair Heron), Belfast (1976), embarking on sound and record production;
• Dave Tremellen (New Expression Publications), Oddingley, Worcestershire (1970), floating idea of booklet about the craft of sound poetry (having heard broadcast on Radio 3);
• Trent Polytechnic, Nottingham (1977) - reading;
• Stan Trevor (Trevor Banchero Associates), London (1974-75), commenting on 'Explanation of the Movement for a Reformed Poetry Society';
• Richard Truhlar (Owen Sound), Toronto (2 letters, 1976, 1979).

(U)

• Copy letter (8 December, 1976), from Lawrence Upton (Secretary of the Consortium of London Presses, and Secretary of the Association of Little Presses) to Robert Vas Dias, Poetry Society, concerning suspension of agreements on use of printing equipment at the Poetry Society, and postcard (1978) referring to change to cover of 'Lyonnesse Books 2/3'.

(V)

• Jiri Valoch, Brno, Czech Republic (3 letters, 1971, 1972, 1976), with 4th letter from another (Eden Plaza Hotel London letterhead, 1972, obscure signature);
• Jean Paul van Bendegem, Gent, Belgium (1975), advising that Lily Greenham also invited to Electronic Festival 1975;
• 'Vehicule Art', Montreal (postcard, 1979), invitation to participate in Concrete Poetry Exhibition (1980);
• Charles Verey, Sherborne and Radnor (Writers Forum books order, and letter referring to Jonathan Williams, c1972;
• Victoria and Albert Museum, London (4 letters, 1978-79) - Open & Closed Book exhibition;
• E E Vonna-Michell, Orpington (1978) - plans for series of three one-day courses.

(W)

• Walker Art Gallery, Liverpool (1971) - reading; L A Wallrich, Toronto (1976);
• Sam Wanamaker (Globe Playhouse Trust), London (1972), expressing thanks for performance of The Konkrete Canticle at Gala Concert;
• War on Want, London (1972), invitation to contribute to series of poem posters;
• Dave Ward, Liverpool (1977) - Poets Conference information;
• J P Ward, Swansea (1972) - two letters without date and a selection of poems submitted (1972) for Kroklok;
• Tony Ward (Arc), Gillingham (1970), thanking for tapes sent, and Christmas Poem card;
• Warwick University Festival (1974) - reading;
• Rosemary Waterfield, Liverpool (1970) - reading; Wave, Preston (1970) - two Cobbing poems in September issue;
• Rod Webster, Reading (1977), requesting details of recordings;
• Welsh Arts Council, Cardiff (6 letters, 1 postcard, 1970-78), most concerning Poetry for May Day 1978;
• Larry Wendt, San Jose, California (4 letters, 1976-79);
• West Coast Poetry Review (WCPR), Reno, Nevada (1974), thanking for manuscripts received;
• Angela Weston, Carmarthen (1976), requesting Mottram, Local Movement;
• Nigel Wheale, Dept English, University of Southampton (17 February, 1978) - exhibition and survey of contemporary English poetry;
• Steve Wheatley (Caligula Books), London (1975) - ALP;
• Grahame White, Brighton (1979) - comments and questions from research student introduced by Annette Lavers to Concerning Concrete Poetry;
• Whitechapel Art Gallery, London (1977) - promotional folding leaflet for The Fairground exhibition;
• Sarah Whitfield, London (1974), writing on behalf of private collector of concrete and visual poetry;
• G B H Wightman, London (1970), referring to dissatisfaction with 'the Aldeburgh programme';
• Wild Pigeon Post, Norwich (nd) - arts newsletter;
• Jonathan Williams, Sedburgh, Yorkshire and Highlands, North Carolina (1971, 1975);
• Diz Willis, Bradford (3 letters, nd and 1976);
• University of Wisconsin Library (1978) - Kroklok request;
• Ruth Wolf-Rehfeldt (1 postcard, [1976]): 'Fine Artmosphere in 1977';
• Polytechnic of Wolverhampton (2 letters, 1972) - participation in Concrete Poetry Week;
• Worcester College of Education (1971) - an evening of Experimental Poetry;
• Word and Action Dorset, Weymouth (1975) - Poets Conference membership;
• Works, New York (1971, 1972), assembling feature on British small presses;
• Workshop Press Ltd, London (1975), responding to 'your very spirited defence of the National Poetry Centre';
• Kit Wright (for Michael Mackenzie), Poetry Society, copy letter addressed to Laurie Smith, Poets' Workshop (1975).