Add MS 88909/37/13

Letters received from the following:

• Marvin Sackner, Miami Beach, Florida (24 letters, 1980-89);
• Barbara Sandler, Cranfield (2 April, 1981);
• Joe Schmidt, Allentown, Pennsylvania (without date) - invitation to send recording to play on WMUH radio station;
• Christian Scholz, Obermichelbach, Fed Republic of Germany (9 letters, 1983-88), ordering various sound poetry materials [one letter in German], and monograph on sound poetry by Scholz;
• Maurice Scully, Lesotho (aerogramme, 26 May, 1989);
• Fernando Setti, Genova (12 letters, with poems, 1980-82);
• John Sharkey, London (1984) - invitation to read;
• Bernard Shaw (Recorded Word), Canterbury (1981) - invitation to record contribution to LP British Poets Vol I;
• Robert G Sheppard (Supranormal Cassettes), Norwich and Southwick (3 letters, 1980-83);
• Robert Sheppard, Esher, and Weybridge (3 letters, with poem, 1989);
• Sally Silvers, New York (April 1987), coming to England to perform (without Bruce Andrews);
• Iain Sinclair, London (2 postcards, 1 letter, 1981, 1985, 1989), refers to proposed concrete poetry anthology (Paladin);
• Colin Simms, Newcastle on Tyne (2 postcards, 1 green card, 5 letters, 1980-83);
• Small Press Traffic, San Francisco (1985, 1987);
• Bill Smith (William E Smith), Toronto (5 letters, 1987-88);
• Steven Smith, Torremolinos and Toronto (1 postcard, 10 letters, 1981-87);
• Dr M Smuda, Bielefeld (1981, 1985) - books order;
• Snowball Arts, Isle of Wight (2 December, 1989) - 'Moving Sculpture' project (TVS / British Telecom Artswork Festival);
• Geoffrey Soar, Library, University College London (4 letters, 1980-86);
• Society for the Promotion of New Music (SPNM), London (3 letters, 1985-86), concerning three scores submitted for performance (but not selected);
• Frederick Sohm(?) (3 September, 1987), advising new address;
• Sabine Solf, Wolfenbüttel (16 July, 1981), arrival arrangements for Cobbing and Paula Claire;
• Mary Ellen Solt, US (greetings card with message, without date);
• Sotheby's, Auctioneers, London (21 January, 1982) - invitation to literary reception;
• Pete Spence, Mooroolbark, Victoria, Australia [1985] - invitation to contribute to first issue of Ligne;
• Harry Starr, London (25 June, 1986), assisting Gregory and Miriam Cook (Canada) in re-establishing contact;
• St Michael's Sounds Week, St Michael's School, Walsall (1989) - blank registration proforma for 'Bob Cobbing et al';
• Jack Stephens, Sparks, Maryland (9 May, 1985), advising that Telescope, to which Cobbing had submitted material, is ceasing publication;
• Kristine Styles, San Francisco (6 letters, 1980-83), researching Destruction in Art Symposium (DIAS);
• Glenn Storhaug (Five Seasons Press), Hereford (4 August, 1981), seeking permission to include Mottram in The Kilpeck Anthology (1981);
• Allen Strange, San Jose State University (7 September, 1982) - copy letter addressed to The British Consulate, San Francisco: invitation to Cobbing and Fencott, four-week workshop (July 1983);
• Swansea Museum Services (18 June and 26 September, 1986), confirming reading (28 October, involving Peter Finch).