Add MS 35278

ff. 1-50b passim. Duets, with pianoforte accompaniment, in score, and separate violin and violoncello parts, by [Leopold] Kozeluch (except Nos. 1-9). Autograph. 1-9. The violoncello part of the Scottish airs in Add MS 35276, ff. 3b-32b. 'Pleyel.' ff. 1-3b 1. 'What beauties does Flora disclose.' 2. 'My Patie is a lover gay.' 3. 'Ah, Cloris, could I now but sit.' 4. 'Farewell, thou fair day.' 5. 'Shepherds, I have lost my love.' 6. 'Your wel Come to Paxton,' begins 'Oh, had I a cave.' 7. 'The lawland lads.' 8. 'The yellow hair'd Laddie,' begins 'In April, when primroses.' 9. 'There's Auld Rob Morris.' . 10-19. The violin part and two copies of the violoncello part of the Scottish airs in Add MS 35277, ff. 5b-33. 'Kozeluch.' ff. 4-26. 10. 'Here's a health to ane I lo'e dear.' 11. 'The lazy mist.' 12. 'The day returns.' 13. 'Come, let me take thee to my breast.' 14. 'Katherine Ogie,' begins 'Ye banks and braes and streams.' 15. 'Ye banks and braes o' bonie Doon.' 16. 'Logie o' Buchan.' 17. 'Thou art gane awa.' 18. 'Adieu, ye streams.' 19. Without title, f. 33. 20-24. Irish melodies, with symphonies, etc., 'composed for George Thomson in 1809,' viz.:—'When cups are full' (ff. 29b, 35, 37); 'Planxty Kelly' (ff. 30, 35, 37); 'Killeavy' (ff. 33, 36, 38); 'The brown maid' (ff. 33b, 36, 38); and 'The Fox's sleep' (ff. 34, 36, 38). 25-27. Welsh airs, received by G. T[homson], 3 June, 1809, viz.:— '[Yr] hen Sibyl,' begins 'Away, let nought to loue displeasing my Winifreda moue ' (ff. 41b, 58, 63); 'The length of the pipe,' begins 'O where dost thou bide' (ff. 47, 59b, 64b); and 'The lamentation of Cambria,' begins 'Ye banks of Dark Conway ' (ff. 50b, 60b, 65b).

ff. 1-66b passim. Songs with pianoforte accompaniment, generally in score, and separate violin and violoncello parts, composed by [Leopold] Kozeluch (except nos. 1-23) for George Thomson. Autograph. I. 1-23. The violoncello part of the Scotch Songs by Pleyel in Add MS 35276 (ff. 1b-31b), ff. 1-3b. 1. 'Beneath a green shade.' 2. 'The night her silent sable wore.' 3. 'When wild wars' deadly blast was blawn.' 4. 'Hear me, ye Nymphs.' 5. 'Farewel to Lochaber.' 6. 'Gin living worth.' 7. 'One day I heard Mary say.' 8. 'From thee, Eliza, I must go.' 9. 'The last time I came o'er the muir.' 10. 'Will ye go to the ewe-bughts.' 11. 'A lass that was laden with care.' 12. 'One morning very early.' 13. 'Sweet Annie.' 14. 'My sheep I neglected.' 15. 'Oh open the door.' 16. 'The smiling morn.' 17. 'Busk ye, busk ye, my bonny bride.' 18. 'Braw, braw lads.' 19. 'Here awa', there awa'.' 20. 'O waly, waly, up the bank.' 21. 'Behind yon hills.' 22. 'Twas in that season.' 23. 'My daddy is a canker'd carle.' II. 24-90. The violin part and two copies of the violoncello part of the Scotch Songs by Kozeluch in Add MS 35277 (ff. 1b-49), ff. 4-26. 24. 'O saw ye bonnie Lesley.' 25. 'Contented wi' little.' 26. 'Whar hae ye been a' day.' 27. 'O stay, sweet-warbling woodlark.' 28. 'What tho' on hamely fare we dine.' 29. 'In summer, when the hay was mawn.' 30. 'And O for ane and twenty, Tam.' 31. 'O wat ye wha that lo'es me.' 32. 'O poortith cauld.' 33. 'Cauld frosty morning,' begins 'O saw ye my wee thing.' 34. 'When merry hearts were gay.' 35. 'Shou'd auld acquaintance be forgot'; with 2-part chorus. 36. Song without title, 37. 'O wat ye wha's in yon town.' 38. 'Last May a braw wooer cam.' 39. 'My Love, she's but a lassie yet.' 40, 41. Two Songs without titles, 42. 'Nae gentle dames.' 43. 'Here is the glen.' 44. 'Finlayston House,' begins 'Fate gave the word.' 45. 'Slow spreads the gloom.' 46. 'She's fair and fause.' 47. 'Farewel, dear mistress.' 48. Song without title, 49. 'The small birds rejoice ' (Irish), 50. 'Tam Glen,' begins 'My heart is a breaking.' 51. 'Cauld kail in Aberdeen.' 52. 'Young Jocky.' 53. 'Craigieburn wood.' 54. 'John Anderson, my Jo.' 55. 'My Jo, Janet,' begins 'O sweet Sir, for your courtesy.' 56. 'Duncan Gray.' 57. 'Dainty Davie,' begins 'Now, rosy May'; with 2-part chorus, 58. 'Whistle and I'll come.' 59. 'Robin is my only Jo.' 60. 'Their groves of sweet myrtle.' 61. 'Blythe hae I been.' 62. 'Todlen hame,' begins 'When I hae a saxpence.' 63. 'O this is no mine ain Lassie.' 64. 'What numbers shall the muse repeat.' 65. 'The flowers of the forest,' begins 'I've seen the smiling of fortune.' 66. 'Lord Gregory,' begins 'O mirk, mirk is this midnight hour.' 67. 'The lovely lass of Inverness.' 68. 'Lewie Gordon,' begins 'O send Lewie Gordon hame'; with 2-part chorus, 69. 'Roy's wife of Aldivalloch.' 70. 'The silken snood,' begins 'Oh I hae lost my silken snood.' 71. 'And ye shall walk in silk attire.' 72. 'Turn again, thou fair Eliza.' 73. Song without title, 74. 'For the sake of gold.' 75. 'Now spring has clad.' 76. 'Blythe, blythe and merry was she.' 77. 'Awa' wi' the witchcraft of beauty's alarms.' (Irish.) 78. 'True-hearted was he.' 79. 'Mourn, hapless Caledonia.' 80. 'O my Love's like the red, red rose.' 81. 'The gloomy night.' 82. 'Wilt thou be my dearie.' 83. 'On a bank of flow'rs.' 84. 'Now in her green mantle.' 85. 'Tibby Fowler'; with 2-part chorus, 86. 'Raving winds.' 87. 'I lo'e ne'er a laddie but ane.' 88. 'John Highlandman,' begins 'A highland lad'; with 2-part chorus. 89. 'Bonny, wee thing,' 90. 'Does haughty Gaul invasion threat.' III. Two Scotch songs of which the violoncello part is wanting, the violin part being contained in Add MS 35279 (f. 7b), viz.: — 91. 'Kellyburn braes,' begins 'There lived a carle'; with 2-part chorus. f. 27. 92. 'Hooley and Fairly,' begins 'Oh, what had I ado.' f. 27b. IV. Irish melodies; with symphonies, etc., composed in 1809. 93. 'Chiling O Guiry.' ff. 30b, 35, 37. 94. 'The green woods of Treugh.' ff. 31, 35b, 37b. 95. 'The humours of Limerick.' ff. 31b, 35b, 37b. 96. 'Were I amidst Italian groves.' ff. 32, 35b, 37b. 97. 'Shall a son of O'Donnell.' ff. 32b, 35b, 38. V. Welsh airs, with symphonies, etc. Received by Thomson in 1809. The original Welsh names are given in the Index. 98. 'Time speeds on.' ff. 40b, 58, 63. 99. 'The sweet melody of N. Wales,' begins 'Hark! On the wind.' ff. 41, 58, 63. 100. 'The allurement of love,' begins 'When midnight o'er the moonless skies.' ff. 42, 55, 58, 63. 101. 'The Britons,' begins 'When on the mountain's lofty brow.' ff. 42b, 68b, 63b. 102. 'The pursuit of love,' begins 'Through dreary wilds.' ff. 43, 55, 58b, 63b. 103. 'The pedlar,' begins 'Come, ye nice maidens.' ff. 43b, 58b, 63b. 104. 'The blossom of the honeysuckle,' begins 'How closely the woodbine.' ff. 44, 58b, 63b. 105. 'The war song of the men of Glamorgan,' begins 'Red glows the forge.' ff. 44b, 59, 64. 106. 'The bend of the horse-shoe,' begins 'How gloomy the face of all Nature.' ff. 45, 55, 59, 64. 107. 'Loth to depart,' begins 'So mild was the ev'ning.' ff. 45b, 59, 64. 108. 'The flower of North Wales,' begins ' 'You ask why those mountains.' ff. 46, 55, 59, 64. 109. 'The departure of the King,' begins 'Brave Llewellyn.' ff. 46b, 59b, 64b. 110. 'The delight of Gruffydd ap Cynan,' begins 'Vale of the Cross.' ff. 47b, 59b, 64b. 111. 'Conset Dafydd ap Gwilym,' begins 'Whate'er beneath the arch of heaven.' ff. 48, 59b, 64b. 112. 'The March of Rhyddlan,' begins 'O, mild is the sun.' ff. 48b, 60, 65. 113. 'Lady Owen's delight.' ff. 49, 60, 65. 114. 'The willow,' begins 'Where Vurnway's winding waters glide.' ff. 49b, 60, 65. 115. 'New year's gift,' begins 'All white hang the bushes.' ff. 50, 60, 65. 116. 'Ursula,' begins 'While I alone your heart possest.' ff. 51, 60b, 65b. 117. 'The blossom of the thorn.' ff. 52b, 61, 66. 118. 'The Red piper's melody,' begins 'Where is my Owen.' ff. 53, 61, 66. 119. 'Maltraeth.' ff. 53b, 61, 66. 120. 'The door clapper,' begins 'O say not that Arthur will see me no more.' ff. 54, 61, 66. 121. 'The flowers of the heath.' ff. 54b, 61, 66. 122. 'Lady Owen's delight,' begins ' Oh white foaming Ogwen.' Different from no. 113. ff. 55b, 61b, 66b.

ff. 67-105b. Two sets of 'Trois Sonates pour le Clavecin ou Piano-forte avec l'accompagnement d'un violon et violoncelle, composées par Mr. Leopold Kozeluch' [commissioned by G. Thomson, of Edinburgh]. Scottish airs are introduced in all of them. They consist of from three to five movements, of which the first is always Allegro; the second, slow (Adagio, etc.); the third, Allegretto; and the last, Andante, Allegro, or Allegretto. In no. 2, which has five movements, the fourth is Rondeau grazioso. 1-3. Op. 46. In G. f. 68b;— in B flat. f. 74b;— in F. f. 80b. 4-6. Op. 47. In C. f. 88b;— in G minor. f. 94b;— in A. f. 100b.