Add MS 89160/5/1

Papers relating to Indica Gallery, including:

• black and white photograph of Marianne Faithfull’s apartment block at 29 Lennox Gardens, March 1967 (copyright Pictorial Press) (203 x 254 mm);
• programme for the Royal Shakespeare Company production of Peter Weiss’s Persecution and Assassination of Marat as Performed by the Inmates of the Asylum of Charteron under the Direction of the Marquis de Sade, including handwritten note on front cover: 'Sue and I went to this with Paul [McCartney] and Jane [Asher]. Couldn't remember which name tickets were under but got it', 1965;
• black and white photograph of Gordon Waller [of Peter & Gordon] signed, with dedication to Miles, undated (203 x 254 mm);
• black and white photograph of Gordon Waller, vintage print, undated (110 x 80 mm);
• black and white photograph of Peter & Gordon, signed, dedicated to Miles by Waller, undated (203 x 254 mm);
• sign Indicateur 65, from Indica noticeboard, undated;
• black and white photocopy, reduced, of Indica wrapping paper, designed by Paul McCartney;
• minutes of the Directors of Miles Asher & Dunbar Ltd., 17 October 1965 (2 pages);
• minutes of the members of Miles Asher & Dunbar Ltd., 26 May 1966, signed by John Dunbar (1 page);
• headed paper of Indica Books & Gallery, 6 Mason’s Yard;
• photocopy of Paul McCartney’s flyer for Indica featuring a map to show how to get there, undated;
• two designs for Indica flyers, featuring a map to show how to get there (unknown artist), undated;
• three Indica flyers (double-sided), and photocopy of front and back of one of them, 1966;
• four Indica flyers, uncut on a single sheet, undated;
• Indica Gallery flyer printed on limp plastic (green and pink), undated;
• five black and white photographs of Peter Asher, Miles and John Dunbar standing in front of Indica gallery and bookshop (copyright Graham Keen), 1965 (203 x 254 mm);
• black and white photograph of Miles and John Dunbar inside Indica bookshop, John holding Fuck for Peace sign (copyright Pictorial Press), spring 1966 (203 x 254 mm);
• Fuck For Peace leaflet, published by Birth Press, New York, 1965;
• black and white photograph of Miles inside Indica bookshop (copyright Graham Keen), spring 1966 (203 x 254 mm);
• black and white photograph of Peter Asher, Miles and John Dunbar inside the bookshop, undated (203 x 254 mm);
• black and white photograph of Miles, Jane Asher and Peter Asher inside the bookshop, undated (203 x 254 mm);
• two black and white photographs of Peter and Jane Asher (on a ladder) inside the bookshop (copyright Associated Newspapers Ltd.,) spring 1966 (203 x 254 mm);
• black and white photograph of Miles and Peter and Jane Asher inside the bookshop (copyright Associated Newspapers Ltd.,) spring 1966 (203 x 254 mm);
• three black and white photographs of Miles, Paul McCartney and others at Indica Gallery opening (copyright John Hopkins), 1965 (203 x 254 mm);
• black and white photograph of Chris Case (Robert Fraser’s assistant, with flower tie) (copyright John Hopkins), 1965 (203 x 254 mm);
• black and white photograph of Alan Beckett (John Hopkins’ room-mate, co-producer of AMM first album) (copyright John Hopkins), 1965 (203 x 254 mm);
• contact sheet of photographs of Indica Gallery opening (copyright John Hopkins), 1965 (203 x 254 mm);
• clippings about Robert Fraser and John Dunbar in Venice, 1966;
• black and white photograph of Robert Fraser (copyright Graham Keen), 1966 (203 x 254 mm);
• black and white photograph of Group de Recherche d'Art Visuel (GRAV) show installed at Indica Gallery (copyright Graham Keen), June 1966 (203 x 254 mm);
• black and white photograph of Melissa North at GRAV show (copyright John Goldblatt), 1966 (203 x 254 mm);
• black and white photograph Yoko Ono up the ladder installation at her Indica show, vintage print (copyright Graham Keen), 1966 (203 x 254 mm);
• black and white photograph of Anthony Cox, Yoko Ono’s husband, with her Apple installation at the Indica show (copyright Graham Keen), 1966 (203 x 254 mm);
• cutting from Art & Artists of London Gallery Guide, listing Indica Gallery at 6 Mason's Yard, August 1966;
• typed letter from Arthur Uphill sending payment for orders of books, 1 March 1966;
• handwritten letter from David Medalla to John Dunbar regarding the Indications show, 24 April 1966;
• photocopies of five reviews of the GRAV show, June-July 1966;
• postcard from Yvaral (of GRAV) to Pamela Donielson showing his work on display at the Tate, undated;
• invitation to Indications One private view, Indica Gallery, May 1966;
• invitation to GRAV show private view, Indica Gallery, June-July 1966, with catalogue of artworks attached;
• handwritten memo from John Dunbar relating to publicity, [late 1965];
• Indica Gallery artwork catalogue sticker;
• invitation to private view of Musical Instruments by the Baschet Brothers, Indica Bookshop, 102 Southampton Row, 2 May 1967;
• invitation to Indications 1B private view, Indica Gallery & Bookshop, 6 Mason's Yard, 28 May 1966;
• catalogue of Magnetic Sculpture and the White Signals by Takis, Indica Gallery, and invitation to private view;
• invitation to Morellet private view, Gallerie Denise Rene, Paris, March 1967;
• catalogue of Yoko at Indica. Unfinished Paintings & Objects, November 1966, an invitation to private view, 24 November 1966;
• invitation for Julio le Parc show private view, Howard Wise Gallery, New York, 1 February 1966;
• invitation to Lourdes Castro Shadow Work show, Indica Gallery (two copies, one with correction of opening date), January 1967, and catalogue;
• poster to advertise Presentation by Mark Boyle, 1966 (folded), and invitation for private view, Indica Gallery, 16 July 1966;
• catalogue of Tony Morgan show, Indica Gallery, 6 October 1966, and plastic strip invitation to Tony Morgan show private view;
• invitation to a private view at Indica Gallery (no details), undated;
• invitation to Liliane Lijn private view, Indica Gallery, 9 March 1967;
• invitation to David Medalla show, Indica Gallery, undated;
• two invitations to private view of Morellet at Indica show, 18 April 1967;
• letter from Tony McAulay telling Miles how he witnessed John Lennon meeting Yoko Ono at Indica Gallery, 9 February 1998;
• introduction pass to the Scotch of Saint James, Indica’s next door neighbour;
• cutting of article about British Art at Venice, 1966.