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Collection Area Music Collections Language Latin

361. Case.52.b.21.

Reference (shelfmark):
Case.52.b.21.
Title:
FABURDENS AND A TONARY; 16th cent. Added to and bound with a printed Sarum hymnal, Hynorum [sic] cum notis Opusculum ad usum Sarum (Antwerp: per Christophorum Endouiensem impressum [Christopher Reremund], 1528). In addition, simple discant parts have been added in manuscript to several printed hymns in the volume, either in full puncta or with small dots, and small emendations have been made elsewhere. All margins of manuscript portions are cropped. ff. 186-200 have been foliated in pencil i...
Scope & Content:
Hymns: Faburdens to printed hymns: after 1528: Lat. Music: Faburdens and a tonary added to and bound with a printed Sarum hymnal: after 1528: Lat. Music: Faburdens, and other MS additions to a printed Sarum hymnal: after 1528: Lat. includes: f. 199 Hymns: The words to the hymn 'O Albane De...
Collection Area:
Music Collections
Languages:
Latin
Date Range:
16th century
Extent:
1 item

362. Case.95.c.15.

Reference (shelfmark):
Case.95.c.15.
Title:
TWO FRAGMENTS FROM AN ANTIPHONER; 13th cent. Perhaps English. Used in the binding of a printed copy of John Leland’s Genethliacon Illustrissimi Eäduerdi Principis Cambriae (Apud Ioannem Herford, 1543) and other works, owned and annotated by William Lambard, to which they remain joined. The fragments are two strips cut from adjacent portions of the same leaf, and include parts of the chants of the Responsory of Job, for the first Sunday of September: ‘[In omnibus his non peccatur]’, ‘Laudemus...
Scope & Content:
includes: binding strips Liturgies LATIN: Two fragments from an antiphoner: 13th cent.: Lat.
Collection Area:
Music Collections
Languages:
Latin
Date Range:
13th century
Extent:
1 item

363. D.212.c.

Reference (shelfmark):
D.212.c.
Title:
SACRED VOCAL MUSIC; after 1613. Bound after the printed collection of Lodovico Viadana’s Opera omnium sacrorum concertuum (Francofori: apud Nicolaum Steinium, 1613). The tenor part of this printed publication is wanting, and is provided in a MS. copy of the early 20th cent. The bassus generalis part does not include any MS. additions. Cantus, altus, and bassus parts (unless the contrary is stated) of a collection of Motets. Nos. 3-20 are copied from the concerti Ecclesiastici of Jacopo Mori ...
Scope & Content:
includes: ff. 50-9 Music: Jacopo Mori, of Viadana; composer: Sacred vocal music, copied from the concerti Ecclesiastici of of Jacopo Mori: after 1613: Lat: Copies.i, f. 61v; ii, f. 59 N. Hennicey, composer: Concerto, 'Ich freue mich im Herrn': after 1613: Copy.
Collection Area:
Music Collections
Languages:
English and Latin
Date Range:
after 1613
Extent:
1 item

364. Egerton MS 2448

Reference (shelfmark):
Egerton MS 2448
Title:
A collection of masses and motets
Scope & Content:
ff. 3-137. Masses, for several voices, with figured basses for organ, in score. The first two are for two choirs of 4 voices each, the others for 4 voices. 1. In D, ‘in Pastorale‘ (without 'Benedictus‘ ). ‘Pompeo Caniciari.’ f. 3. 2. ‘Kyrie’ and ‘Gloria’ in F. ‘Pietro Paolo Bencini, Romano.’ f. ...
Collection Area:
Music Collections
Languages:
Latin
Date Range:
19th century
Extent:
1 volume

365. Egerton MS 2449

Reference (shelfmark):
Egerton MS 2449
Title:
A collection of motets and carols
Scope & Content:
ff. 1-45. Motets, chiefly for solo voices and (with one exception) 4-part chorus, with a bass, generally figured, in score; transcribed by Abbate F. Santini for the Rev. Edward Goddard. 1. ‘Salve, Regina’ (in canon). 'Andrea Basili.’ f. 1. 2. ‘In virtute tua.’ ‘Giovanni Masi, Romano.’ f. 5b. 3. ...
Collection Area:
Music Collections
Languages:
Latin
Date Range:
19th century
Extent:
1 volume (116 folios)

366. Egerton MS 2450

Reference (shelfmark):
Egerton MS 2450
Title:
A collection of motets, a lamentation, a miserere and a cantata
Scope & Content:
ff. 1-40, 124-150b. Collection of Motets, in score, which belonged to the Rev. Edward Goddard. They are, with one exception, unaccompanied, and (unless the contrary is stated) for 4 voices. Nos. 1-11 are ‘Antifone e Responsori à 4 e à 5 voci. . . di Tomaso Baij.’ 1. ‘Serve bone et fidelis.’ f. 1...
Collection Area:
Music Collections
Languages:
Italian and Latin
Date Range:
Early 19th century
Extent:
1 volume

367. Egerton MS 2451

Reference (shelfmark):
Egerton MS 2451
Title:
A collection of motets, a madrigal, a requiem, and a capriccio
Scope & Content:
ff. 1-92, passim. Motets for several voices, with a figured bass for organ (unless the contrary is stated), in score; 19th cent. Apparently transcribed by Abbate F. Santini for Rev. E. Goddard, to whom the whole volume afterwards belonged. 1. ‘Benedictus‘ (for two choirs of 4 voices each). ‘Ales...
Collection Area:
Music Collections
Languages:
Latin
Date Range:
18th century-19th century
Extent:
1 volume

368. Egerton MS 2453

Reference (shelfmark):
Egerton MS 2453
Title:
A magnificat, a motet, and portions of masses
Scope & Content:
ff. 1-13. ‘Magnificat anima mea Dominum’; for 4 voices, with a figured bass for organ, in score, by Francesco Durante. In the hand of Abbate Fortunato Santini. ff. 14-42. 'Credo,’ for 4 voices, with violins and a figured bass for organ, in score, by Leonardo Leo. In the hand of Abbate Fortunato...
Collection Area:
Music Collections
Languages:
Latin
Date Range:
19th century
Extent:
1 volume

369. Egerton MS 2454

Reference (shelfmark):
Egerton MS 2454
Title:
A collection of sacred works by Italian composers, in the hand of Abbate Fortunato Santini
Scope & Content:
ff. 1-29b. 'Il pianto di Maria: Cantata Sacra a Soprano da eseguirsi avanti il Santo Sepolcro. Musica di Giorgio Federico Handel.' Begins 'Giunta 1'ora fatal.' The recitatives have only a figured bass, but in the other portions of the cantata there are symphonies and accompaniments, in score, fo...
Collection Area:
Music Collections
Languages:
Italian and Latin
Date Range:
19th century
Extent:
1 volume

370. Egerton MS 2455

Reference (shelfmark):
Egerton MS 2455
Title:
Two settings of the 'Stabat Mater'
Scope & Content:
With symphonies and accompaniments for strings, and a figured bass for organ, in score, transcribed by the Abbate F. Santini for the Rev. Edward Goddard. 1. In C minor (4 voices). 'Gio. Carlo Maria Clari.' Composed in 1753 (see Add MS 31526, f. 1), f. 1. 2. In G minor (3 voices). 'Girolamo Abo...
Collection Area:
Music Collections
Languages:
Latin
Date Range:
19th century
Extent:
1 volume (98 folios)

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