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D. PETER WARLOCK: ‘One More River’, song (words anonymous); [circa 1925]. The song was originally written in two versions, one scored for baritone solo, unison male voice chorus and piano, the other for four male voices and piano. This is an arrangement of the accompaniment for strings, piano and timpani. Purchased by Tyson at Sotheby’s, 20 July 1965 (lot 432). ff. 43-54. Largest size 356 x 264mm. 1. ff. 43-5. Score of the accompaniment only, in black ink, with words and cues for solo and ...
Scope & Content:
includes: ff. 43-72 Philip Arnold Heseltine, alias 'Peter Warlock'; composer: Songs: circa 1925-30: Autogr.
E. WARLOCK: ‘Youth’, song for voice and piano (words, Robert Wever); July 1928. Score, in ink. Autograph. A copy of the score in Add. 52907, ff. 5-6, with engraver’s markings in pencil and ink. Published Elkin & Co., 1928. Purchased by Richard Macnutt at Sotheby’s, 20 July 1965 (part of lot 423), and subsequently passed to Tyson. ff. 55-6. 355 x 262mm.
Scope & Content:
includes: ff. 55-6 Robert Wever, poet: Song, 'Youth', by P. Warlock, to words by R. Wever: 1928.
F. WARLOCK: ‘The Fairest May’, song (words anonymous, from Harley 7578); 6 Nov. 1930. A rewriting of the song ‘As ever I saw’ for voice and string quartet. Autograph score and parts, in ink. The original title is deleted and replaced on the score, but remains on the parts. With a letter from Ian Copley to Tyson, dated 11 Sept. 1965 (ff. 71-2). Original version for voice and piano published Winthrop Rogers, 1919. Purchased by Tyson at Sotheby’s, 20 July 1965 (lot 425). ff. 57-72. 310 x 237mm...
Scope & Content:
includes: ff. 71-2 Ian Alfred Copley, composer: Alan Walker Tyson, musicologist: Letter to Alan Walker Tyson from Ian Alfred Copley: 1965: Typewritten, signed.
MISCELLANEOUS LETTERS OF MUSICIANS AND OTHERS; 1806-1965, n.d. ff. 37. Overall size 283 x 247mm. 1. ff. 1-5. Correspondence relating to a letter of 1790 from Clemens August von Schall to Amtsgerichtsrath Degen revealing that the author of the text of Beethoven’s early cantata WoO 87 (and appar...
'The main pass, Aden.' By Sir Henry Yule (1820-1899)
Scope & Content:
Genre/Subject Matter: View, looking south, of a mountainous landscape through the Main Pass at Aden, the main route into Crater, towards a hill riddled with caves, one of which is likely to be the cave reputed to hold the tomb of Abel. A steep slope or series of steps leads towards the pass a...
Collection Area:
India Office Records and Private Papers
Languages:
English
Date Range:
Jan 1844
Extent:
1 pen and ink and wash drawing on watercolour paper
Genre/Subject Matter: Maritime view in the straits of Babelmandel [Bab-el-Mandeb]. A steamer is visible at left. Temporal context: This drawing was likely made during Henry Yule’s return journey to India with his new wife, Anna Maria White, in 1844. Inscriptions: Recto: Lower left, pen a...
Collection Area:
Visual Arts
Languages:
English
Date Range:
Jan 1844
Extent:
1 watercolour and ink drawing on watercolour paper
Genre/Subject Matter: Maritime view in the Red Sea, at the northwest of the Bab el-Mandeb strait, of Gibel Tir [Jebel Al-Tair], meaning ‘bird mountain’. Temporal context: This drawing was likely made during Henry Yule’s return journey to India with his new wife, Anna Maria White, in 1844. ...
Collection Area:
India Office Records and Private Papers
Languages:
English
Date Range:
Jan 1844
Extent:
1 watercolour, pencil and ink drawing on watercolour paper