This is an interim version of our Archives and Manuscripts Catalogue while we continue to recover from a cyber-attack.
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George Frideric Handel: ‘Floridante’, opera in three acts (libretto Paolo Antonio Rolli): final chorus ‘Quando pena la costanza’ from Act III
Scope & Content:
Autograph full score. Written in ink on systems of nine staves. No tempo direction. Headed ‘Coro’ (f. 1r) and with ‘Fine dell’ Opera à Londres ce 28 de Novembre 1721’ at the end (f. 4r). Part of Handel’s composition score of the opera. The discovery of this hitherto missing conclusion to the c...
George Frideric Handel: Oratorio ‘Joseph and his Brethren’ (words James Miller, after the book of Genesis), 1743: recitative ‘With Songs of ardent gratitude, and Praise’
Scope & Content:
Autograph score. Written in ink on systems of two staves: vocal line in the alto clef and figured bass. Headed ‘Joseph’ in the upper margin, the music followed by ‘Segue il Coro Alleluja we will rejoice’, and with ‘Fine dell oratio. [sic] Joseph’ in the lower margin. Joseph and his Brethren wa...
Joseph Haydn: Piano trio in E flat minor (Hob. XV:31)
Scope & Content:
Autograph score. Written in ink on systems of four staves. In two movements, as follows: ff. 1v-5r. ‘Andante’; instrumental lines marked ‘Violino’, ‘Cembalo o p:f:’ and ‘Violoncello’ (f. 1v). Headed ‘In Nomine Domini’ and ‘di me giuseppe Haydn m[anu] p[ro]pria / 795 [line over]’ on f. 1v. ff...
Wolfgang Amadeus Mozart: String Quintet in E flat, for two violins, two violas and cello (K614)
Scope & Content:
Autograph full score. Written in ink on systems of five staves. Movement I (ff. 1r-6v), ‘All[egr]o di molto’; movement II (ff. 7r-10v) ‘Andante’; movement III (ff. 11r-12v) ‘Menuetto: Allegretto’ and ‘Trio’; movement IV (ff. 13r-18v) ‘All[egr]o’. Headed by Mozart ‘Quintetto:’ (f. 1r) and with hi...
Carl Maria von Weber: ‘Oberon’, opera in three acts (libretto by James Robinson Planché after C.M. Wieland): sketches for part of Overture and of Act III
Scope & Content:
Autograph short or condensed score. Written in ink on systems of two, three or four staves. As follows: f. 1r. ‘O Araby, dear Araby’ [no. 16]. Headed ‘Song Fatima’. f. 1v. ‘Mourn thou poor heart’ [no. 19]. Headed ‘Cavatina’. With annotations in red crayon and in pencil. f. 1v. Overture, eight ba...
STEFAN ZWEIG COLLECTION. Vol. CXXXIII. Honoré de Balzac: novel Une Ténébreuse Affaire; circa 1841. Printed early proof, with autograph annotations and corrections. French. See Oeuvres Complètes de Honoré de Balzac, ed. M. Bouteron and H. Longnon, vol. 26 (Paris, 1914), pp. 27-275. ff. ii+625. ...
(Enoch) Arnold Bennett: Newspaper article in the series 'Books and Persons', including a review of Conflicts by Stefan Zweig, written for the Evening Standard; London, 20 February 1928 (see f. 1)
Scope & Content:
Autograph draft. The review relates to novels by three European writers newly published in English translation. Begins: 'Not long since I saw an advertisement of [deletion] a novel . . .' Ends: ‘It has sparks of the divine fire’ The works discussed are: Thomas Raucat, L'Honorable Partie de ...
George Gordon, 6th Baron Byron: 'Note to the lines where Capel Lofft is mentioned'
Scope & Content:
Autograph fair copy. The prose note explains the allusion to Capel Lofft in Byron's 'Hints from Horace' (published 1811), lines 693-696: 'Hark to those notes, narcotically soft! / The cobber-laureats sing to Capel Lofft! /Till, lo! that modern Midas, as he hears, / Adds an ell-growth to his egre...
