Le Sette Savi di Roma (The Seven Sages of Rome), consisting of a frame tale, introducing and providing the background to 14 short moral tales told to the 'Emperor of Rome' by the Seven Sages and the Empress, arranged as follows: f. 1r: Blank paper flyleaf with a paste-down containing a descript...
A collection of arias, songs, hymns, airs, and other melodies
Scope & Content:
passim. Arias, etc., with a figured bass for harpsichord (except where the contrary is stated), in score; first half of 18th cent., etc. 1. 'A soldier and a sailor' [from 'Love for love,' by John Eccles, 1695]. f. 3b. 2-4. Three arias, the first with an additional violin part, from 'Rinaldo,' by...
'La Dori': Opera, consisting of prologue and three acts, by Marcantonio Cesti, 1663. The instruments employed in the introductory sinfonia, the ritornellos, and the accompaniment to the concluding sextet are evidently strings, the recitatives, airs, etc., being accompanied by a figured bass for h...
Cadenza by Beethoven, Canzonetta by Rossini, and Nocturne by Johann Nepomuk Kafka
Scope & Content:
ff. 1-2b. Cadenza [by Beethoven] to the rondo in Mozart's pianoforte concerto in D minor [No. 466 in Köchel's Catalogue]. Autograph. Followed by Breitkopf und Härtel's printed edition of the same. f. 5. 'Mi lagnerò tacendo della mia sorte': Canzonetta, apparently no. 10 of a series by Rossini,...
Selected vocal pieces, in score, by Gioacchino Antonio Rossini. Autograph.
Scope & Content:
ff. 1-6b. 'Dall' Oriente'; for treble, 2 tenors, and a bass, with pianoforte accompaniment, in score, by Rossini. Autograph. 1823. Dedicated to the Countess Sant' Antonio. ff. 7-1 3b. Song ['Il pianto delle Muse in morte di Lord Byron,' 1824], for a tenor voice, with a sextet (? Muses) and 3-pa...
Compositions by George Frederic Handel, in full score. Autograph.
Scope & Content:
ff. 2-12b. Cantata, begins 'Lungi dal mio bel Nume'; for a treble voice, with a figured bass for harpsichord, in score. [By Handel.] 'Roma. Il dì 3 di Marzzo, 1708.' Autograph. No. 25 of the Händel-Gesellschaft's edition of the Cantatas. HWV 127a. At f. 8 begins a transcript of the song in a lat...
Two cantatas, and end-chorus of the Opera "Sanzio", by Antonio Caldara.
Scope & Content:
ff. 1-3b. 'Senti, deh, senti, oh Clori': Cantata for a soprano voice, with a bass for harpsichord, in score, by Antonio Caldara. Autograph. At the end is written '20 Maggio, 1715, in Roma; et è una grande ragazzata.' [1715.] ff. 4-10. 'Amor del gran Sancio': concluding chorus (à 4), with accom...