Vol. 1. Sec. xvii. Michael Angelus Rota: Consultationes, disceptationes, etc.: partim Lat. partim Ital. Medicine: M. A. Rotæ consultationes, disceptationes, et collectanea ad Medicinam spectantia.: Lat. et Ital.
Vol. 2. Sec. xvii. Michael Angelus Rota: Consultationes, disceptationes, etc.: partim Lat. partim Ital. Medicine: M. A. Rotæ consultationes, disceptationes, et collectanea ad Medicinam spectantia.: Lat. et Ital.
A collection of excerpts, exercises, canons, songs, and anthems, in the hand of Dr. Charles Burney.
Scope & Content:
Examples of Harmony in the hand of Dr. Charles Burney. 1. 'Exempla (Discant) quatuor vocum.' '[J.] Froschius,' 1535. f. 2b. 2. Fuga ad Minimam'; in 4 parts. 'Jodocus Pratensis.' From Glarean (p. 453), 1547. f. 4. Reversing the volume. 3. Extemporaneous Bass. 'Crotch' (æt. 4). f. 41b. 4-6. Three ...
A collection of masses, motets, madrigals, a stabat mater and a miserere, in the hand of Dr. Charles Burney
Scope & Content:
ff. 2b, 12-59 and 95. Masses, or portions of Masses, for 4 voices (unless the contrary is stated), scored by Dr. Charles Burney. Some of them appear in vol. ii of his 'History of Music', 1782. The names of the Masses and of their composers are: — 1. ‘L'Omme Armé.’ ‘Josquin [des Près].’ There are...
Madrigals and chansons for 2 or more voices, in score. Nos. 1-5 are for 2 voices, and nos. 6-10 for 3 voices; they are scored from Add MS 5465. Nos. 11-17 are for 5 voices. 1. 'Ha, my herte.' Anonymous. f. 1b. 2. 'What causyth me wofull thoughtis.' 'William Newark.' f. 2b. 3. 'So far I trow.' By...
A collection of chansons, madrigals, motets, canons, and part of a Magnificat
Scope & Content:
Chansons, etc., mostly for 4 voices, scored from early editions by Dr. Burney. 1. 'Queste non son piu lagrime.' 'Rolando di Lassus, 1555.' f. 2b. 2. 'Sto, core mio.' By the same, 1555. f. 3. 3. 'Tu, traditora.' By the same, 1555. f. 3b. 4. 'En espoir vis.' By the same, 1555. f. 4. 5. 'Canzona Vi...
A collection of madrigals, carols, motets, graces, trios, quartets, and examples of harmony
Scope & Content:
ff. 2-34. Madrigals, etc., in score. Unless the contrary is stated, they are for 3 voices and unaccompanied. 1. 'Che (sic) prend' amor a gioco'; with accompaniments for 2 strings and a figured bass for harpsichord. 'Cavalier Tarquinio Merula, maestro di capella nella Chiesa Maggiore di S. Maria ...
A collection of motets, songs, extracts from masses, part of a Magnificat, part of a sonata, examples of harmony, and other vocal compositions
Scope & Content:
Motets, in score, for 5 voices; before 1782. In the hand of Dr. Charles Burney. Nos. 2, 3 are inserted in vol. ii of his History of Music, 1782. Leaves are missing after ff. 15, 37 and 38. 1. ‘O sacrum con vivium.’ ‘Thomas Tallis‘ (from a MS. copy, dated 1581, at C. C. C, Oxford. Printed in 1575...