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401. Mss Eur F191/332(1366)

Reference (shelfmark):
Mss Eur F191/332(1366)
Title:
From Erode: I think we arrived in Mercara on April 25th. In Mercara itself I did not record music, but we saw a marriage ceremony. I did work in two places, Napoklu in N. Coorg and Ponampet in S. Coorg. The stately father of the bridegroom in Mercara: Rao Bahadur something something Chengappa, I think. A decoration with banana stem is made for the wedding. Photographer: Bake, Arnold Adriaan
Scope & Content:
Genre: Portrait Photography Portrait of the stately father of the bridegroom in Mercara: Rao Bahadur...Chengappa, I [Bake] think. A decoration with banana stem is made for the wedding.
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
Jun 1938
Extent:
1 item

402. Mss Eur F191/332(1367)

Reference (shelfmark):
Mss Eur F191/332(1367)
Title:
From Erode: I think we arrived in Mercara on April 25th. In Mercara itself I did not record music, but we saw a marriage ceremony. I did work in two places, Napoklu in N. Coorg and Ponampet in S. Coorg. The bridegroom; under the wreaths of flowers he wears golden chains. Around his waist is a brocade belt and the chains holding the Coorgi knife. On 125 (and 132, P. V.) this knife is stuck through the belt in front, but usually, it is worn at the back. Photographer: Bake, Arnold Adriaan
Scope & Content:
Genre: Portrait Photography Portrait of the bridegroom; under the wreaths of flowers he wears golden chains. Around his waist is a brocade belt and the chains holding the Coorgi knife. On 125 (and 132, P. V.) this knife is stuck through the belt in front, but usually, it is worn at the back.
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
Jun 1938
Extent:
1 item

403. Mss Eur F191/332(1368)

Reference (shelfmark):
Mss Eur F191/332(1368)
Title:
From Erode: I think we arrived in Mercara on April 25th. In Mercara itself I did not record music, but we saw a marriage ceremony. I did work in two places, Napoklu in N. Coorg and Ponampet in S. Coorg. The feet of the bride with silver ornaments. Once she had entered the house, she was not allowed to go outside in order to be photographed, even not at the top of the stairs to veranda. But she was allowed to go to the veranda at a place there were no stairs and she kindly lifted her sari to ...
Scope & Content:
Genre: Portrait Photography Portrait of the feet of the bride with silver ornaments. Once she had entered the house, she was not allowed to go outside in order to be photographed, even not at the top of the stairs to veranda. But she was allowed to go to the veranda at a place there were no sta...
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
Jun 1938
Extent:
1 item

404. Mss Eur F191/332(1369)

Reference (shelfmark):
Mss Eur F191/332(1369)
Title:
From Erode: I think we arrived in Mercara on April 25th. In Mercara itself I did not record music, but we saw a marriage ceremony. I did work in two places, Napoklu in N. Coorg and Ponampet in S. Coorg. Gangapuja, the bride brings water to her husband's house. The disks on her hair are golden. I filmed the whole ceremony. Dancing relatives obstruct her way to the house and even the bridegroom joined them. Photographer: Bake, Arnold Adriaan
Scope & Content:
Genre: Portrait Photography View of Gangapuja after marriage, the bride brings water to her husband's house. The disks on her hair are golden. Dancing relatives obstruct her way to the house and even the bridegroom joined them.
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
Jun 1938
Extent:
1 item

405. Mss Eur F191/332(1370)

Reference (shelfmark):
Mss Eur F191/332(1370)
Title:
From Erode: I think we arrived in Mercara on April 25th. In Mercara itself I did not record music, but we saw a marriage ceremony. I did work in two places, Napoklu in N. Coorg and Ponampet in S. Coorg. The procession nearing the front of the house. Photographer: Bake, Arnold Adriaan
Scope & Content:
Genre: Portrait Photography View of the marriage procession nearing the front of the house.
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
Jun 1938
Extent:
1 item

406. Mss Eur F191/332(1371)

Reference (shelfmark):
Mss Eur F191/332(1371)
Title:
From Erode: I think we arrived in Mercara on April 25th. In Mercara itself I did not record music, but we saw a marriage ceremony. I did work in two places, Napoklu in N. Coorg and Ponampet in S. Coorg. The procession nearing the front of the house. Photographer: Bake, Arnold Adriaan
Scope & Content:
Genre: Portrait Photography View of the marriage procession nearing the front of the house.
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
Jun 1938
Extent:
1 item

407. Mss Eur G91(207)

Reference (shelfmark):
Mss Eur G91(207)
Title:
The Sringiri Swami. Photographer: Henry Dixon (attrib.)
Scope & Content:
Full-length seated portrait of the Jagad Guru (high priest of the Smart Brahmins at Sringeri), his chair placed in a doorway, with an attendant standing on either side. Bowring visited Sringeri during his tour of 1863-64: '...I proceeded to Sringiri, a famous matha or monastery, where resided th...
Collection Area:
India Office Records and Private Papers
Languages:
Not applicable
Date Range:
1860s
Extent:
1 item

408. Neg 1112/7(102)

Reference (shelfmark):
Neg 1112/7(102)
Title:
Mongol lads, aged about 15, at Ha-ting Sum. Left, monk; on right, layman. These are Chatar Mongols. Left background, corner of a yurt. Photographer: Bell, Charles Alfred
Scope & Content:
Genre: Portrait Photography Three-quarter length standing portrait of two youths. Duplicate negative only, no print.
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
1935
Extent:
1 item

409. Neg 1112/7(201)

Reference (shelfmark):
Neg 1112/7(201)
Title:
Ge-kö (Dge-bskos) of the Bor che chi Sum Monastery near Ha-ting Sum, in his yurt. Photographer: Bell, Charles Alfred
Scope & Content:
Genre: Portrait Photography Full-length seated portrait. Bell's caption note continues: 'In front of him is the bowl from which he makes offerings to the deities, grains of rice or of barley, but not of wheat; thus Mongols follow the Tibetan custom. Below, a shallow dish of wheaten cakes baked ...
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
1935
Extent:
1 item

410. Neg 1112/7(326)

Reference (shelfmark):
Neg 1112/7(326)
Title:
Chagan Küren Suma (White Court temple). An image in the gods' house. Perhaps Ananda, or Saripu, i.e., one of the two favourite disciples of the Buddha. Photographer: Bell, Charles Alfred
Scope & Content:
Genre: Fine Arts, Photography of Close view of sculpture. Duplicate negative only, no print.
Collection Area:
Visual Arts
Languages:
Not applicable
Date Range:
1935
Extent:
1 item

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