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This manuscript contains a copy of La Chanson de Bertrand du Guesclin, an epic poem in Middle French written by Jean Cuvelier, recounting the chivalric deeds of the French hero, Bertrand du Guesclin (b. 1320, d. 1380), Breton knight and military commander during the Hundred Years War. The manusc...
Dante Alighieri, Divina commedia. Pope-Hennessy 1993 proposed a date for the manuscript of after 1444, partly depending on the representations of the dome and cupola of Florence Cathedral, under construction during these years. Contents: 1. (ff. 1r-63v): Inferno. Incipit (f. 1r): 'Nel mezo d...
ff. 1r-108r : John Lydgate, Lives of St Edmund and St Fremund. f. ixr: Added English proverb in a 15th-century hand, 'A man without mercie of mercie shall misse / Out hee shall have mercie that mercifull is'. f. 108v: Added English rhyme (?), partially erased, in a 15th-century hand: '... in ...
This manuscript contains a copy of the Skazanie o Mamaevom Poboishche (The Tale of the Rout of Mamai). The Skazanie is a romance in Russian Church Slavonic, composed in the 15th century, relating the struggle of the Muscovian Grand Prince, Dmitri Donskoi [Дмитрий Иванович Донской] (b. 1350, d. 1...
Johann Sebastian Bach: Cantata for the 19th Sunday after Trinity, `Wo soll ich fliehen hin?' (words after Johann Heermann), for four voices and instruments (BWV 5)
Scope & Content:
Autograph full score. Written in brown ink on systems of two to ten staves. Headed (f. 3r) `J[esu]. J[uva]. Do[m]i[ni]ca 19 post Trinit. Wo soll ich fliehen hin? Concerto'. With revisions throughout also in Bach's hand (listed in detail in Johann Sebastian Bach. Neue Ausgabe Sämtlicher Werke (Ka...
Ludwig van Beethoven: [Ariette] ‘Der Kuss’, song with piano accompaniment (words Christian Felix Weisse), op. 128
Scope & Content:
Autograph score. Written in ink on systems of three staves; voice line in the treble clef. In A, marked ‘Allegretto’ and headed ‘Mit Lebhaftigkeit jedoch nicht in zu geschwindem Zeitmass, u[nd] scherzend vorgetragen’. Dated by Beethoven ‘1822 in decemb.’ at the head of f. 1r, and with his commen...
Ludwig van Beethoven: Three-part canon ‘Kurz ist der Schmerz’ (words Friedrich von Schiller, from Die Jungfrau von Orleans), WoO 166
Scope & Content:
Autograph. Written in ink on the recto of a single leaf; staves drawn freehand by Beethoven. The music on five single staves with the text beneath. Dated ‘Wien am / 3ten März / 1815’ at the foot, with the signed dedication ‘Mögten sie doch lieber Spohr / überall, wo sie wahre Kunst und / wahre K...
Frédèric Chopin: Mazurka in F sharp minor for piano, op. 59, no. 3
Scope & Content:
Autograph. Written in ink on systems of two staves. Tempo direction ‘Vivace’. Headed ‘Nro 3.’ in upper margin of f. 1r; ‘fine’ written at the end (f. 2r). With many autograph corrections and alterations in ink. Engraver’s markings have been added in pencil beneath the systems. The line and pag...
Frédéric Chopin: Barcarolle in F sharp major for piano, op. 60
Scope & Content:
Autograph. Written in ink, on systems of two staves. Tempo direction ‘Allegretto’. Headed by the composer ‘Barcarolle / pour le piano / dedié a Madame la Baronne de Stockhausen / par F Chopin. Op. 60 / Leipsic Haertel. Paris Brandus (Schl.) - Londres Wessel.’ (f. 1r); ‘fine’ at end (f. 4r). With...
George Frideric Handel: ‘Floridante’, opera in three acts (libretto Paolo Antonio Rolli): final chorus ‘Quando pena la costanza’ from Act III
Scope & Content:
Autograph full score. Written in ink on systems of nine staves. No tempo direction. Headed ‘Coro’ (f. 1r) and with ‘Fine dell’ Opera à Londres ce 28 de Novembre 1721’ at the end (f. 4r). Part of Handel’s composition score of the opera. The discovery of this hitherto missing conclusion to the c...