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Archive Reference (shelfmark) Harley MS 1-7661 Material Type Archives and Manuscripts

1491. Harley MS 1262

Reference (shelfmark):
Harley MS 1262
Title:
Psalter
Scope & Content:
Contents: ff. 1r-212r: A Psalter. Decoration: 1 full-page miniature with full foliate borders, in colours and gold, inserted on a single leaf (f. 6v). Large decorated initials with full foliate borders, in colours and gold, at the beginning of the Psalms for the week days (at the beginning of ...
Collection Area:
Western Manuscripts
Languages:
Latin
Date Range:
1430-1440
Extent:
1 volume

1492. Harley MS 1263

Reference (shelfmark):
Harley MS 1263
Title:
A fragmentary manuscript with liturgical texts for the Order for the Visitation of the Sick; Recommendation of a Departing Soul; and Office of the Dead
Scope & Content:
Contents: ff. 1r-20r: The Order for the Visitation of the Sick; with the rite for Extreme Unction; imperfect at the beginning. ff. 20r-49v: The Recommendation of a Departing Soul (‘commendacio omni fidelium defunctorum’); with neumes on red bars. ff. 50r-89v: The Office of the Dead; with m...
Collection Area:
Western Manuscripts
Languages:
English and Latin
Date Range:
15th century
Extent:
1 volume

1493. Harley MS 1265

Reference (shelfmark):
Harley MS 1265
Title:
Collection of compositions, including Cantatas, Arias, for a soprano voice, with figured bass for harpsichord, in score, and suspected from Operas, by authors including: Giacomo Carissimi, Giovanni Francesco Tenaglia, Luigi Ross, Allesso Scarlatti, Carlo Manelli, Henry Firmin, Allesso Stradella, Domco Gabrielli, Mario Marazzoli, and Carlo Ludovici
Scope & Content:
passim. Cantatas, Arias, etc., for a soprano voice, with figured bass for harpsichord, in score. 1. 'Ferma; lascia ch' io parli': Lament of Mary, Queen of Scots. 'Giacomo Carissimi.' f. 1. 2. 'A la Rota.' This and nos. 3-16 are by 'Luigi Rossi.' f. 37. 3. 'Questo picciolo Rio.' f. 63. 4. 'Ste...
Collection Area:
Music Collections
Languages:
English and Italian
Date Range:
4th quarter 17th century
Extent:
1 volume

1494. Harley MS 1266

Reference (shelfmark):
Harley MS 1266
Title:
Collection of compositions, including: Cantatas, Arias, mostly for a soprano, with a bass for harpsichord, and others with symphonies and string accompaniments, all in score, by anonymous authors
Scope & Content:
ff. 1-13b, 21-184b. Cantatas, Arias, etc., usually for a soprano, with a bass (occasionally figured) for harpsichord, in score. Anonymous. Nos, 10-12 are in a different hand from all the rest, the first two being dated ' Venetia,' and the third ' Milano.'1. 'Care sponde del Tebro.' f. 1. 2. 'Tra...
Collection Area:
Western Manuscripts
Languages:
English and Italian
Date Range:
17th century - 18th century
Extent:
1 volume

1495. Harley MS 1267

Reference (shelfmark):
Harley MS 1267
Title:
Trios, with a bass, and for harpsichord, and Arias mostly from Operas, with a figured bass for harpsichord, and string accompaniments, all compositions in score, by anonymous authors
Scope & Content:
ff. 1, 6b. Trios, with a bass, in score. Anonymous. 1. 'Con vn sospir.' f. 1. 2. 'Tutto e gioja.' f. 6b. f. 12. 'Nò, non ha tregua il mio dolor'; with a bass for harpsichord, in score. Anonymous. ff. 18-93. Arias with a figured bass for harpsichord, and, in a few cases, accompaniments for s...
Collection Area:
Western Manuscripts
Languages:
English and Italian
Date Range:
4th quarter 17th century
Extent:
1 volume

1496. Harley MS 1268

Reference (shelfmark):
Harley MS 1268
Title:
Numbers from unnamed Operas, mostly for one voice, with a bass for harpsichord, in score, by anonymous composers
Scope & Content:
Volume I (allied to Vol II: Harley MS 1269) Numbers (for one voice, unless the contrary is expressed), with a bass for harpsichord, in score, from unnamed Operas, by anonymous composers. Bound with Harley MS 1269. The names of La Menarina and Sig[nora] Rosana, which are given in vol. i, f. 32, ...
Collection Area:
Western Manuscripts
Languages:
English and Italian
Date Range:
4th quarter 17th century
Extent:
1 volume

1497. Harley MS 1269

Reference (shelfmark):
Harley MS 1269
Title:
Numbers from unnamed Operas, mostly for one voice, with a bass for harpsichord, in score, by anonymous composers
Scope & Content:
Volume II (allied to Vol I: Harley MS 1268) Numbers (for one voice, unless the contrary is expressed), with a bass for harpsichord, in score, from unnamed Operas, by anonymous composers. Bound with Harley MS 1268. The names of La Menarina and Sig[nora] Rosana, which are given in vol. i, f. 32, ...
Collection Area:
Western Manuscripts
Languages:
English and Italian
Date Range:
4th quarter 17th century
Extent:

1 volume (49 folios)

1498. Harley MS 1270

Reference (shelfmark):
Harley MS 1270
Title:
Mostly Italian Songs, suspected from Operas, in score, by various composers, including: Aleso Scarlatti, Bero Pasquini, Filippo Colonnesi, Giacomo Charissimi, Henry Purcell
Scope & Content:
The MS is said by Humphrey Wanley to be 'written partly by Mr. Bernard Martin Berenclow, and partly by Doctor Berenclow, his father.' It also contains songs from Operas and Guitar Instructions. passim. 'Ariette Italiane ' for a soprano voice, with a bass (frequently figured) for harpsichord, in...
Collection Area:
Western Manuscripts
Languages:
English and Italian
Date Range:
17th century - 18th century
Extent:
1 volume (57 folios)

1499. Harley MS 1271

Reference (shelfmark):
Harley MS 1271
Title:
17th century Italian Cantatas, with a bass, and harpsichord, in score, by an anonymous author
Scope & Content:
ff. 71. Italian Cantatas, with a bass (usually figured) for harpsichord, in score. Anonymous.1. '[O]mbre, tenebre, orrori.' f. 1. 2. 'Quelle Luci'; possibly part of no. 1. f. 6. 3. '[?M]esto in sen d'un Antro.' f. 16. 4. '[I]n erma ripa.' f. 31. 5. '[M]i contento cosi.' f. 42. 6. 'Che sento, oh D...
Collection Area:
Western Manuscripts
Languages:
English and Italian
Date Range:
17th century
Extent:
1 volume (71 folios)

1500. Harley MS 1272

Reference (shelfmark):
Harley MS 1272
Title:
Italian cantatas and arias, and duets
Scope & Content:
ff. 1, 10b-75. Italian Cantatas and Arias, with a bass (generally figured) for harpsichord, in score. Anonymous, unless the contrary is stated. Nos. 1-19 are in the hand of Bernard Martin Berenclow, who probably composed those that are anonymous; the others are in the hand of Humphrey Wanley. 1....
Collection Area:
Western Manuscripts
Languages:
Italian
Date Range:
17th century-18th century
Extent:
1 volume

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