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MISCELLANEOUS LETTERS OF MUSICIANS AND OTHERS; 1806-1965, n.d. ff. 37. Overall size 283 x 247mm. 1. ff. 1-5. Correspondence relating to a letter of 1790 from Clemens August von Schall to Amtsgerichtsrath Degen revealing that the author of the text of Beethoven’s early cantata WoO 87 (and appar...
LETTERS TO SIR HENRY WOOD; 1942. Six typewritten letters from W. W. Thompson and one from Dorothy Wood, listing the total paying audiences for the 1942 season of Promenade concerts. With a collection of thirty-nine printed programmes for Promenade and other concerts conducted by Wood, annotated by the conductor with audience numbers, takings and other information; 1898, 1911, 1913, 1934-44. Typewritten lists of nightly attendances for the 1941 season are inserted in the programme for that se...
Scope & Content:
includes: ff. 1-6 Sir Henry Joseph Wood, CH; conductor: W. W. Thompson, of the BBC: Letters to Sir Henry Joseph Wood from W. W. Thompson: 1942: Typewritten, signed.f. 7 Sir Henry Joseph Wood, CH; conductor: Dorothy Wood, of the BBC: Letter to Sir Henry Joseph Wood from Dorothy Wood: 1942: T...
George Frideric Handel: Aria ‘E troppo bella troppo amorosa la Pastorella’, part of the cantata ‘Ho fuggito Amore anch’io’ (HWV 118), for voice and basso continuo
Scope & Content:
Autograph score. Written in ink on systems of two staves: vocal line in the alto clef and figured bass. In D; tempo direction ‘allegro’ (f. 1r). Annotations by Vincent Novello in the upper margin of f. 1r record that the manuscript formerly belonged to Domenico Dragonetti and attest to its authe...
George Frideric Handel: ‘Floridante’, opera in three acts (libretto Paolo Antonio Rolli): final chorus ‘Quando pena la costanza’ from Act III
Scope & Content:
Autograph full score. Written in ink on systems of nine staves. No tempo direction. Headed ‘Coro’ (f. 1r) and with ‘Fine dell’ Opera à Londres ce 28 de Novembre 1721’ at the end (f. 4r). Part of Handel’s composition score of the opera. The discovery of this hitherto missing conclusion to the c...
George Frideric Handel: Oratorio ‘Joseph and his Brethren’ (words James Miller, after the book of Genesis), 1743: recitative ‘With Songs of ardent gratitude, and Praise’
Scope & Content:
Autograph score. Written in ink on systems of two staves: vocal line in the alto clef and figured bass. Headed ‘Joseph’ in the upper margin, the music followed by ‘Segue il Coro Alleluja we will rejoice’, and with ‘Fine dell oratio. [sic] Joseph’ in the lower margin. Joseph and his Brethren wa...
Joseph Haydn: Piano trio in E flat minor (Hob. XV:31)
Scope & Content:
Autograph score. Written in ink on systems of four staves. In two movements, as follows: ff. 1v-5r. ‘Andante’; instrumental lines marked ‘Violino’, ‘Cembalo o p:f:’ and ‘Violoncello’ (f. 1v). Headed ‘In Nomine Domini’ and ‘di me giuseppe Haydn m[anu] p[ro]pria / 795 [line over]’ on f. 1v. ff...
Wolfgang Amadeus Mozart: String Quintet in E flat, for two violins, two violas and cello (K614)
Scope & Content:
Autograph full score. Written in ink on systems of five staves. Movement I (ff. 1r-6v), ‘All[egr]o di molto’; movement II (ff. 7r-10v) ‘Andante’; movement III (ff. 11r-12v) ‘Menuetto: Allegretto’ and ‘Trio’; movement IV (ff. 13r-18v) ‘All[egr]o’. Headed by Mozart ‘Quintetto:’ (f. 1r) and with hi...
Carl Maria von Weber: ‘Oberon’, opera in three acts (libretto by James Robinson Planché after C.M. Wieland): sketches for part of Overture and of Act III
Scope & Content:
Autograph short or condensed score. Written in ink on systems of two, three or four staves. As follows: f. 1r. ‘O Araby, dear Araby’ [no. 16]. Headed ‘Song Fatima’. f. 1v. ‘Mourn thou poor heart’ [no. 19]. Headed ‘Cavatina’. With annotations in red crayon and in pencil. f. 1v. Overture, eight ba...
