The Jalamandir or Water Pavilion in front of the Sat Manzili, Bijapur. Photographer: Lyon, Edmund David
Scope & Content:
Genre: Architectural Photography General view of the structure, here seen in ruinous condition before restoration. Incorrectly identified by Lyon as the Mecca Mosque. India Museum no. 1437. Received from Captain Lyon, 7 February 1871. Duplicate print at Photo 1001 (3195). 546. - The road passe...
General view of ruined buildings in the Citadel behind the Anand Mahal, Bijapur. Photographer: Lyon, Edmund David
Scope & Content:
Genre: Architectural Photography 547. - Passing to the front of what remains of the Hall of Justice the view here shown will be obtained. It gives an excellent idea of the state in which this splendid citadel now is. The building on the left in the distance is the Harem, etc., of which No. 548 ...
General view of the Anand Mahal before conversion, Bijapur. Photographer: Lyon, Edmund David
Scope & Content:
Genre: Architectural Photography View looking towards the triple-arched façade of the building. India Museum no. 1439. Received from Captain Lyon, 7 February 1871. Duplicate print at Photo 1001 (3197). 548. - Forcing a passage through the jungle round the back of this building, as shown in the...
General view of the Gagan Mahal, Bijapur. Photographer: Lyon, Edmund David
Scope & Content:
Genre: Architectural Photography View looking towards the triple-arched façade of the audience hall, seen here in ruinous condition. India Museum no. 1440. Received from Captain Lyon, 7 February 1871. Duplicate print at Photo 1001 (3198). 549. - Close to the Harem represented in No. 548 is the...
General view of the unfinished Tomb of Ali Adil Shah Kulan, Bijapur. Photographer: Lyon, Edmund David
Scope & Content:
Genre: Architectural Photography India Museum no. 1441. Received from Captain Lyon, 7 February 1871. 550. - At a short distance from the citadel in a N. N. Westerly direction, stands the tomb of Ali-Adil Shah here shown. It is, as may seen, a ruin of large Gothic arches raised on a terrace mor...
General view of the hillside with Buddhist cave temples, Karli. Photographer: Lyon, Edmund David
Scope & Content:
Genre: Architectural Photography The entrance to the main chaitya hall, is largely obscured by a tree at left of print. India Museum no. 1442. Received from Captain Lyon, 7 February 1871. Duplicate print at Photo 1001 (3200). '551. - This view is taken from the path which leads to the cave. Th...
Head-on on view of the entrance to the Buddhist chaitya hall, Karli. Photographer: Lyon, Edmund David
Scope & Content:
Genre: Architectural Photography Looking towards the entrance to the chaitya hall (Cave 8), with the massive monolithic column with lion capital at the left. India Museum no. 1443 Received from Captain Lyon, 7 February 1871. Duplicate print at Photo 1001 (3201). '552. - Arrived at the building...
Close view of wall sculptures on right side of porch of the Buddhist chaitya hall, Karli. Photographer: Lyon, Edmund David
Scope & Content:
Genre: Architectural Photography Relief sculpture of three elephants supporting representations of multi-storeyed buildings. India Museum no. 1444. Received from Captain Lyon, 7 February 1871. '553. - As before stated there is a porch outside the cave, it is considerably wider than the body of...
Interior of Buddhist chaitya hall, Karli. Photographer: Lyon, Edmund David
Scope & Content:
Genre: Architectural Photography View looking along the length of the chaitya hall towards the votive stupa at the far end. The hall is lined on either side with columns surmounted by elephants ridden by embracing couples. India Museum no. 1445. Received from Captain Lyon, 7 February 1871. Dupl...
South-east view of the Ambaranatha Temple, Ambarnath. Photographer: Lyon, Edmund David
Scope & Content:
Genre: Architectural Photography General view, with ruined sanctuary tower at right, entrance porch at left. 'Situated in a hollow near a small wood in one of the most dreary and desolate spots imaginable, stands this temple. It is very small, but covered with carvings both inside and out. It i...
