MEYERSTEIN BEQUEST. Vol. IX (ff. ii+120). Concerto, op. 61, for violin or piano by Ludwig van Beethoven, in score; bef. Aug. 1808. Copy, with autograph annotations by the composer relating to expression marks, accidentals, etc., in pencil and red crayon. No title-page. One leaf, at least, contai...
MEYERSTEIN BEQUEST. Vol. VII (ff. 16+v). Symphony no. 40, in F major, for oboes, horns and strings, in score, by Franz Joseph Haydn; 1763. Autograph. With the composer's annotations (f. 1), 'Synfonia', 'ln Nomine Domini', 'Giuseppe Haydn 763' and (f. 15) at the end of the Finale, 'Laus Deo'. 'No...
MEYERSTEIN BEQUEST. Vol. X (ff. 17). Autograph music by Ludwig van Beethoven:- (1) Fragment (ff. 2-2b), 50 mm. × 295 mm., cut from the top of one leaf, containing miscellaneous sketches. On the recto are three bars in G marked 'Andante molto mote' and four bars in E flat (?) marked 'overtur vi...
MEYERSTEIN BEQUEST. Vol. XX (ff. 44). Miscellaneous music, partly autograph:- (1) 'Macbeth': late 18th cent. copies of the instrumental parts (first and second violins, viola, and bass) in The Original Songs, Airs and Chorusses ... in ... Macbeth, revised and corrected by William Boyce, Longma...
Autograph music:- (1) Sketch for the mazurka in C, op. 56, no. 2, by Fryderyk Chopin; circ. 1843. Two leaves (ff. 1-2), 215 mm × 280 mm, formerly one bifolium, the music being written on the first recto. The sketch contains most of the thematic material, written in sections each ending with a ...