The Left battery at the Observatory on the Ridge at Delhi, 1857.. Artist(s): Tandy, Francis Latter (1835-57)
Scope & Content:
The Left battery at the Observatory on the Ridge at Delhi, 1857. ‘No. 2. View of the remaining part of the left heavy gun battery; the right gun in this view and the gun in No. 1 are meant for the same piece, the battery was first built for 1 gun and one 8-inch howitzer and has gradually been...
The picquet at Flagstaff Tower on top of the Ridge at Delhi, with part of the camp, 1857.. Artist(s): Tandy, Francis Latter (1835-57)
Scope & Content:
The picquet at Flagstaff Tower on top of the Ridge at Delhi, with part of the camp, 1857. ‘No. 3. View of the Flagstaff Tower and picket post on the height in our front; the road leading down to the right past the tents leads to camp and the continuation of this road in the opposite direction...
The Chauburji Mosque on the Ridge at Delhi with the Mosque Picquet, with Delhi in the distance, 1857.. Artist(s): Tandy, Francis Latter (1835-57)
Scope & Content:
The Chauburji Mosque on the Ridge at Delhi with the Mosque Picquet, with Delhi in the distance, 1857. ‘No. 4. View of the Mosque Picket from the road leading from Camp; here you see also the road leading from the Flagstaff (from the left) on to the right to Hindoo Rao’s, from the Mosque there...
View of Delhi from the Centre Battery on the Ridge, 1857.. Artist(s): Tandy, Francis Latter (1835-57)
Scope & Content:
View of Delhi from the Centre Battery on the Ridge, 1857. ‘No. 5. View of Delhi from the rear of the centre mortar battery. The white Line in the distance on the very left is part of the river passing on the other side of the palace, then comes the long red palace wall with two conspicuous ga...
The Crow's Nest Picquet on the Ridge at Delhi, 1857.. Artist(s): Tandy, Francis Latter (1835-57)
Scope & Content:
The Crow’s Nest Picquet on the Ridge at Delhi, 1857. ‘No. 6. View of the interior of the Crow’s nest; it will give you some idea of the pleasant nature of the ground we have to work on, on the very top is one light field gun and from that point running down the hill to the left is a stone bre...
The Crow's Nest Picquet on the Ridge at Delhi, 1857.. Artist(s): Tandy, Francis Latter (1835-57)
Scope & Content:
The Crow’s Nest Picquet on the Ridge at Delhi, 1857. ‘No. 7. View of the outside of Crow’s nest; showing the encouraging view the enemy get of it when they come out to attack it, except that on the very highest pinnacle tey would see a 9 pounder firing at them and probably also along the brea...
A great rock rising from the plain near Tattakkal (Tamil Nadu).. Artist(s): Daniell, Thomas (1749-1840)
Scope & Content:
A great rock rising from the plain near Tattakkal, hills behind, first sketched 17 May 1792. Pencil, grey, brown and blue wash, watermark ‘J TAYLOR’; 368 x 536 mm. Inscribed: ‘N 19 Near Tatcul’ (on the reverse, covered). ‘Tatcul’ repeated on Russell’s mount in front. Provenance: Sir Henry ...
Approach to the waterfall at Papanasam via steps carved out ot the rock, the riverTambraparni thundering below.. Artist(s): Daniell, Thomas (1749-1840)
Scope & Content:
Approach to the waterfall at Papanasam via steps carved out ot the rock (‘the path is continued up the face of this rock by means of a flight of steps’), the water of the river Tambraparni thundering below, first sketched 1-2 August 1792. Pencil and brown and grey wash, watermark, Strasburg Lil...
View of an entrance to the temple at Kerdah, near Barrackpore. Artist(s): Moffat, James (1775-1815)
Scope & Content:
View of an entrance to the temple at Kerdah, near Barrackpore Pencil, pen and brown ink and water-colour; 431 x 660 mm. Engraved: by J. Moffat as ‘Barrackpore, Pagoda near Khardah,’ and published 1805-10. Provenance: with Spencer’s Fine Art Auctioneers, Bridlington, June 1971, where purchase...
'Saul Trees in the north of Rohilcund 1792.'. Artist(s): Longcroft, Thomas (c. 1760-1811)
Scope & Content:
Sal Trees in the north of Rohilkhand. 1792. Inscribed: ‘Saul trees to the North of Rohilcund 1792’ (lower centre, in the margin) and with indistinct initials (on the reverse). Pencil and grey wash within the artist’s wash-line border; 386 x 577 mm. Provenance: William and Mildred Archer col...
